Pistache-chocolat

A young French immigrant from the Middle-East struggles to grow up in the housing projects surrounding Paris in this drama. The young woman faces many obstacles. Though she is in her twenties, Mimouna is forced to live with her domineering father and his traditionally submissive wife. Her younger siblings have eschewed Algerian traditions, and so does Mimouna, but only to a point, for she can also see the value of keeping her cultural heritage alive. Whether or not she chooses to live a traditional Algerian existence or that of the modern Western woman, Mimouna realizes that her gender restricts her opportunities in life.

Spring to summer 2000. Gwenaëlle and Angéla are friends. They are seventeen and eighteen years old and live in the same town in the suburbs of Paris. Summer vacation is coming up. They put in a project at the Youth Department of the local town hall. It is selected and funded. They will be able to carry it out. Their project is a trip around France to photograph people's homes. They invite people to pose in front of their houses and take photographs of themselves. When school goes back, an exhibition is organized at the town hall. Full of curiosity and strengthened by their friendship, they encounter people from a range of backgrounds. They broaden their horizons and open up to the possibilities life has to offer. They have many adventures and sometimes their encounters lead them to stay in one place for several days

Zina, young theater opener, hesitates between the love of Slim, taxi driver who hopes to become a lawyer and that of Frederic, who holds the poster at the theater. Why not keep her two loves?

The strange relationship of a man and a woman, the latter having surprised the erotic antics of this one with a stranger, missing since.

A family vacation in the mountains. Nine-year-old Eliane is as free as a caged bird. She tries to escape her bossy mother, who lives in a state of pathological stress that affects Eliane and her siblings. Partially-deaf, Eliane uses her disability to protect herself from the adults around her. Despite the emotional bruising and trauma, she faces up to her own isolation and looks for freedom in wide open spaces.

In a café, Sandrine, 25 years old, recounts without regrets her arrival in Paris without money, her initiation into the profession of pickpocketing, and her stays in prison. Certain aspects of her story strangely echo the words of the police officer who arrested her.