Pan Tadeusz. Księga I. Gospodarstwo

Pan Tadeusz. Księga I. Gospodarstwo

1980 · 12 min · ★ 7.0 · Animation

Directed by Julian Józef Antonisz · Written by Julian Józef Antonisz

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Pan Tadeusz. Księga I. Gospodarstwo

Dziadowski's Blues Non Camera, ie Legs Forward

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...Those wonderful bubbles in those pulsating lymphocytes...Those wonderful bubbles in those pulsating lymphocytes · 1973
...Those wonderful bubbles in those pulsating lymphocytes
10.01973
MovieAnimation
A warning against the harmful effects of smoking cigarettes on the lungs of a smoker. A parody of a health education film made in Antonisz's non-camera animation technique.
The Polish Non-Camera Newsreel no 1The Polish Non-Camera Newsreel no 1 · 1981
The Polish Non-Camera Newsreel no 1
10.01981
MovieAnimation
First edition of an animated newsreel containing - in the manner of newsreels - the latest news from the country and the world: "Polish economy in the grip of krill", "Oil spill in Karlin", "U-25 mystery deciphered", "Sensational-secession photoplasticon liquidated", "Situation in space".
Dziadowski's Blues Non Camera, ie Legs ForwardDziadowski's Blues Non Camera, ie Legs Forward · 1978
Dziadowski's Blues Non Camera, ie Legs Forward
9.01978
MovieAnimationDrama
An animated film made without the use of a camera using the technique of drawing and painting directly on a film strip, illustrating a grandfather's ballad, the protagonist of which seeks an explanation for the cruel phenomena of the world around him. Rockets thrown to the ground and bombs exploding, a car falling off a cliff, a driver driving a man on the street or a policeman firing a gun at an opponent - images of this type of catastrophic behavior are intertwined with the recurring image of a man running somewhere.
Nailed by SexNailed by Sex · 1969
Nailed by Sex
9.01969
MovieAnimationComedy
An attractive but cold woman wearing glasses publishes a matrimonial ad. There are plenty of candidates, but none of them is good enough for the woman. Finally, Mieczyslaw Swiecicki appears on the screen – “The Mood Prince”.
How Does It Happen, Agnisia Is Asking, That We Can See a Bear on the ScreenHow Does It Happen, Agnisia Is Asking, That We Can See a Bear on the Screen · 1970
How Does It Happen, Agnisia Is Asking, That We Can See a Bear on the Screen
8.51970
MovieAnimation
A witty lecture for children about the technique and production of a TV show, given by a resolute little girl, based on a program about Teddy Bear.
A Few Practical Ways To Prolong One’s LifeA Few Practical Ways To Prolong One’s Life · 1974
A Few Practical Ways To Prolong One’s Life
8.31974
Movie
The surrealistic live-actor/animated collage story about the inevitability of growing old and the possible ways of delaying this process, for example by head magnetizing, home hibernation, giving electric shocks to the brain areas supporting the growth of the upper teeth.
Light at the End of the TunnelLight at the End of the Tunnel · 1986
Light at the End of the Tunnel
8.01986
MovieAnimation
Author's vision of "life after life". The man for whom death comes with a scythe is taken to the hospital. With the help of complicated equipment, he undergoes resuscitation procedures.
One Thousand and One TriflesOne Thousand and One Trifles · 1972
One Thousand and One Trifles
8.01972
MovieAnimation
A collection of mechanical-biological hybrids from the artist's workshop and a variety of rules written on different boards, gathered in order to secure projects and for entertainment.
How Did Books Leave the ForestHow Did Books Leave the Forest · 1970
How Did Books Leave the Forest
8.01970
MovieAnimation
Witty lecture about the creation of a book. First, paper production was presented in an accessible and fun way, and then the work of the printing house was told.
A Highly Committed FilmA Highly Committed Film · 1980
A Highly Committed Film
6.91980
MovieAnimation
An amusing tale of the decline of cultural life due to the... the liquidation of old street kiosks pasted with posters, thanks to which one could find out about the dates of cultural events....
How a Sausage Dog WorksHow a Sausage Dog Works · 1972
How a Sausage Dog Works
6.11972
MovieAnimation
Polish animated short film that uses unconventional film techniques such as cut-out, drawing, filming miscible fluids and scratched images. Also uses non-camera technique such as drawing directly on film. The film is a humorous lecture on the internal structure of a dachshund. Parodying popular lectures at the same time, it contains a message about the superiority of the products of living organisms' techniques and calls for respect for the environment.
PhobiaPhobia · 1967
Phobia
5.71967
MovieComedyAnimation
A painter frustrated with his life set out to find new inspiration for his art.
Polish FrightsPolish Frights · 1973
Polish Frights
3.01973
MovieAnimation
An amusing story about the origins of statehood of the Slavic tribes on the Vistula. The Slavs’ calm lives are disturbed by strange and violent monsters, which destroy everything they see. On the ruins and ashes, a white eagle is born, the symbol of a rising nation.
What Do We See After Closing Our Eyes and Stopping Our Ears?What Do We See After Closing Our Eyes and Stopping Our Ears? · 1978
What Do We See After Closing Our Eyes and Stopping Our Ears?
2.01978
MovieAnimation
Non-camera style short film.
Sun - A Film without a CameraSun - A Film without a Camera · 1977
Sun - A Film without a Camera
2.01977
MovieAnimation
From the 1960s, Antoniszczak devoted himself to perfecting the technique of non‑camera animation. This period saw the creation of the first animagraph‑pentagraphs — machines for transferring drawings onto film stock. Sun, an animation less than four minutes long, was the first film produced completely using this method. The black‑and‑white drawings were made in the technique of woodcut impressed directly onto the celluloid. The vibrating, jagged image reflects the flickering character of sunrays, and conveys a tale of the transience of human existence and the permanence of the universe.
Horror FilmHorror Film · 1976
Horror Film
1976
Movie
1976 Animation by Julian Antonisz

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