The Machine

As Haj Moussa is caught by border guards while trying to reach Gibraltar in a small boat, he is sent to prison, and his family tries to help him return home, while his wife tries to procure money for the household and run the business.

Karim decides one day to leave his village in the Rif and to venture into the big city of Casablanca where he must conquer, first to live, then to express himself.

Story of two women in a small fishing village, a Spanish enclave on Moroccan territory. Touria is married to the school teacher, who suspects her of infidelity and confines her to the house. Touria befriends Moira and together they learn how to dance the flamenco.

Six and Twelve is one of a series of short films and documentaries produced under the auspices of the Centre Cinématographique Marocain in the years after Moroccan independence. While most of these were utilitarian in nature, Bouanani, Tazi, and Rechiche took a different route with this film, creating a modernist “city symphony” film that documented six hours in the life of the city of Casablanca. Combining a hard bebop soundtrack with stunning black and white cinematography and a radical editing style, the film stands as a document to the energetic experimentation of this period of Moroccan art and cinema.

Lhadj Benmoussa, a rich jeweler, is married to several wives and appear to be a good manager of the three concubines, except when Houda, his third wife, who is young and gracious, is repudiated for the third time.

The story of Massaoud, a rebellious young man, oppressed by both his family and the sclerotic society.

A young man drives a truck loaded with dates from southern Morocco into Tangiers.

a relationship is tested in the midst of workers' strike.

A man from Tarfaya, penetrated by the magnificence of his country, the power of its beauty and the nomadic life of his ancestors goes in search of a great popular poet. He would be able to teach him wisdom, music, and the wonderful art of singing and poetry.

In order to honor his deceased brother's will and assert his guardianship rights, Mokhtar – a notary in his sixties, single, misogynist and heir like several other relatives – is determined to grant the last wishes of the deceased. ...

In order to honour his deceased brother's will and assert his guardianship rights, Mokhtar - a sexagenarian, single, misogynistic notary and heir like several other relatives - is determined to carry out the deceased's last wishes...

A father searches for his son after he disappeared from view, especially after doubts were raised about his possibility of joining extremist groups