Ludwik

The second animated work from filmmaker, sculptor and painter Jerzy Kalina. Using multi-plane techniques mixed with paper animation and coloured grains (an element found in his first film, ...i stała się światłość, W trawie is a fantastical exploration of the world beneath our feet.

Jerzy Kalina's first film, animated using coloured grains to depict a fantastical, vividly coloured genesis. The creation of the world and the dawn of life in under ten minutes.

A man living a dream experience linked to memories of his childhood.

Kalina links traditional animation with a re-projection. To the rhythm of the popular folk song Ukochany kraj, umiłowany kraj (Beloved country, dear country) he creates an anti-ballade about the farmer’s hard life and difficult work. Monotonous and mechanical activities degrade a man.

The box from the film strip becomes an arbitrary plot of action relating to the mysterious phenomena taking place in the Bermuda Triangle. Experimental short by Jerzy Kalina.

Ironic impression on the value of Polish money. The leitmotif was a animated image of working miners from an old 500-zloty banknote. . .

A modern and gloomy city of skyscrapers works to the rhythm of two pistons. Anonymous stenographers work in the dark offices, butchers deliver fresh meat and clerks, crammed into elevators, wander between the floors of the buildings.

In the factory hall, workers work with machine tools. Their moves are repeatable, the pace of work becomes faster and faster. The shimmering silhouette of a worker turns into a pulsating, dark spot. Finally, it disappears and the machine works itself.