Standard Operating Procedure

On the verge of her 90th birthday, a grandmother reveals to her grandson the painful story of her sister's disappearance during the Holocaust and the survivor's guilt she carries.

After the death of his mother, a lonely farmer in rural Switzerland considers finally starting a family of his own. Eventually he pays for a bride from Thailand. The couple don't share a language, but being to know each other. However the village neighbors are suspicious of foreigners.

First Person was an American TV series produced and directed by Errol Morris. The show engaged a varied group of individuals from civil advocates to criminals. Interviews were conducted with "The Interrotron", a device similar to a teleprompter: Errol and his subject each sit facing a camera. The image of each person's face is then projected onto a two-way mirror positioned in front of the lens of the other's camera. Instead of looking at a blank lens, then, both Morris and his subject are looking directly at a human face. Morris believes that the machine encourages monologue in the interview process, while also encouraging the interviewees to "express themselves to camera".

An Indonesian man with a communist background named Ramli was brutally murdered when the "Communist" purge occurred in 1965. His remaining family members lived in fear and silence until the making of this documentary. Adi, a brother of his, decided to revisit the horrific incident and visited the men who were responsible for the killings and one survivor of the purge. These meetings uncovered sadistic details of the murders and exposed raw emotions and reactions of the killers' family members about what happened in the past - much to Adi's disappointment.

Former corporate whiz kid Robert McNamara was the controversial Secretary of Defense in the Kennedy and Johnson administrations, during the height of the Vietnam War. Augmented by archival footage and cabinet conversation recordings, Errol Morris gives the conflicted McNamara a platform on which he attempts to confront his and the U.S. government's actions in Southeast Asia in light of the horrors of modern warfare, the end of ideology and the punitive judgment of history.

After befriending documentarian Joshua Oppenheimer, former Indonesian death squad leaders reenact their real-life mass killings in the style of various American film genres. As they recreate their past atrocities, the line between reality and performance blurs, exposing the lingering impact of Indonesia's 1965-66 anti-communist purge and the unsettling psychology of its perpetrators.

One night in November 1976, after his car breaks down on a road outside Dallas, Randall Dale Adams accepts a ride from teenager David Harris. Harris is driving a stolen vehicle and, later that night, when Dallas police officer Robert Wood pulls the car over to check its headlights, he is shot and killed. A jury believes Adams is the killer, but stylized reenactments and interviews with key figures, conflicting testimonies and evidence are presented to argue that Adams was framed by a corrupt justice system, ultimately leading to his exoneration.

Partly adapted from cosmologist Stephen Hawking's popular book about his theories of the universe, this in-depth documentary also presents Hawking's daily life as he deals with the ALS that renders him virtually immobile and unable to speak without the use of a computer. Hawking's friends, family, former classmates and peers are interviewed about not only his theories but the man himself.

An eccentric millionaire hides $3 million of gold somewhere in the Rocky Mountains, luring thousands out on a wild treasure hunt in search of riches and redemption.

Documentary filmmaker Errol Morris investigates the case of a man who became an authority on capital punishment, but was discredited when he got involved on the wrong side of a court case. Leuchter, a meek man whose appearance belies his grim expertise, develops what he says is a more effective electric chair. Before long, he's in demand from officials who want his opinions on other execution methods. But when called to aid the case of an accused Holocaust denier, Leuchter's problems begin.

In this genre-bending tale, Errol Morris explores the mysterious death of a U.S. scientist entangled in a secret Cold War program known as MK-Ultra.

The home for the world's boldest contemporary filmmakers, celebrating intriguing personal stories that spark conversation and inspire action.

A showcase of workers in the animal burial industry while dealing with heavier existential questions regarding mortality and the afterlife. Floyd 'Mac' McClure believes that a graceful burial is as important for pets as it is for people; he chronicles his struggles to keep his niche business afloat, and interviews several of his associates and one of his competitors, the manager of a rendering plant.

Portrait photographer Elsa Dorfman found her medium in 1980: the larger-than-life Polaroid Land 20x24 camera. For the next 35 years, she captures the 'surfaces' of those who visit her studio: families, Beat poets, rock stars, and Harvard notables. As pictures begin to fade and her retirement looms, Dorfman gives Errol Morris an inside tour of her backyard archive.

Early Errol Morris documentary intersplices random chatter he captured on film of the genuinely eccentric residents of Vernon, Florida. A few examples? The preacher giving a sermon on the definition of the word "Therefore," and the obsessive turkey hunter who speaks reverentially of the "gobblers" he likes to track down and kill.

Errol Morris interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals: a lion tamer shares his theories on the mental processes of wild animals; a topiary gardener devotes a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.