High Voltage

Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video Weavings are based on poetic mathematical rhymes, or algorithms, visualized in real time on the warp and weft of video's horizontal and vertical scanning electron beams, color phosphors, plasma cells, and LCD pixels.

Abstract computer animation set to autoharp solo music composed and performed by Jordan Belson

At the dawn of the Space Race, seven test pilots set out to become the first American astronauts to enter space. However, the road to making history brings momentous challenges.

A lyric, poetic, and visionary trip through outer and inner space. Beautiful and profound, spiritual and sensual, speaks the language of the soul.

"In Chakra, I was able to transfer the traditional order of the chakras into a film, starting with the first (lower) chakra and working up to the seventh (top) chakra…" - Jordan Belson

Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental.

By way of a pure Visual Music experience, the Hirshhorn Museum (Smithsonian Institution) commissioned a major new work from abstract film artist Jordan Belson, who distilled 60 years of visionary sound and images into a twelve minute videofilm.

Cycles brings together 16mm film with Stephen Beck’s Direct Video Synthesizer imagery via a proprietary process Beck referred to as “editation.” Beck also composed the soundtrack to the film, which is made of one sequence repeated 12 times, with both artists contributing variations on each pass.

A hand animated film that is a precursor for Belson’s later work

"Momentum is Belson's most serene and gentle film since Allures. This treatment of the sun as an almost dreamlike hallucinatory experience is both surprising and curiously realistic." -Gene Youngblood

In fluid sequence the birth of a world depicted as a bio-astronomical event.

An early film by Jordan Belson from 1952. "[Belson's] early films animated real objects (pavements in Bop Scotch [1952]) and scroll paintings prepared like film strips with successive images (Mandala [1953]). Belson subsequently withdrew these films from circulation as imperfect and primitive, but they already reflect his refined plastic sensibility, fine color sense, and superb sense of dynamic structure. They also foreshadow his more accomplished expressions of mystical concepts, Bop Scotch seeming to reveal a hidden soul and life-force in "inanimate" objects."

A short film which explores the last day in the lives of six different people.

"In Re-entry he successfully synthesizes the Yogic and the cosmological elements in his art for the first time by forcefully abstracting and playing down both of them..." P. Adams Sitney

A cosmic experimental film by Jordan Belson, set to music by Iasos.

A scientist creates Proteus, an organic supercomputer with artificial intelligence which becomes obsessed with human beings, and in particular the creator's wife.