Expo Faces

Expo Faces

1967 · 1 min

16mm film transferred to video, black and white, sound

Directed by Stan VanDerBeek

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More from Stan VanDerBeekSee all →

Astral ManAstral Man · 1959
Astral Man
8.01959
MovieAnimation
"An animated vision... a subliminal glance at man in light and space" S.V.
SiteSite · 1964
Site
6.01964
Movie
Performance by Robert Morris and Carolee Schneemann.
For Life, Against the WarFor Life, Against the War · 1967
For Life, Against the War
6.01967
MovieAnimation
First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival Week of the Angry Arts, the epic compilation film incorporated minute-long segments which were sent from many corners of the country, spliced together and projected. The original presentation of the works was more of an open forum with no curation or selection, and in 2000 Anthology Film Archives preserved a print featuring around 40 films from over 60 submissions.
FusesFuses · 1967
Fuses
5.81967
Movie
An experimental short in which a couple engaged in lovemaking is superimposed over ocean and beach scenes.
BreathdeathBreathdeath · 1963
Breathdeath
4.91963
MovieAnimation
A surrealistic fantasy based on the 15th century woodcuts of the dance of the dead. A film experiment that deals with the photoreality and the surrealism of life. A collage-animation that cuts up photos and newsreel film and reassembles them, producing an image that is a mixture of unexplainable fact (Why is Harpo Marx playing a harp in the middle of a battlefield?) with inexplicable act (Why is there a battlefield?). It is a black comedy, a fantasy that mocks death ... a parabolic parable.
SkullduggerySkullduggery · 1962
Skullduggery
4.31962
MovieAnimation
A subversive experimental short against the ruling class.
Notes on the Buffalo Conference: “Autobiography in American Independent Cinema”Notes on the Buffalo Conference: “Autobiography in American Independent Cinema” · 1973
Notes on the Buffalo Conference: “Autobiography in American Independent Cinema”
1973
MovieDocumentary
During the 1970s I shot, helped to make, or commissioned about ten document films, mainly about film-makers. This film is one of them. It was made with Dan Ochiva, who acted as cameraman on about half of the footage. I shot the rest, and then edited the film. It is a record of a conference held at the State University of New York at Buffalo on March 22-25, 1973. Among the participants filmed were Gerald O'Grady (who organized the conference), Will Hindle, Stan Brakhage, Jonas Mekas, Robert Creeley, Bruce Baillie, Scott Bartlett, Hollis Frampton, Ken Jacobs, Ed Pincus, Stan Vanderbeek, Ed Emshwiller, Sally Dixon, James Cox. This footage will eventually become part of my film PEOPLE, PLACES, THE 1970S. –R. H.
FluidsFluids · 1964
Fluids
1964
MovieAnimation
16mm color work by Stan Vanderbeek that takes his work away from the cutups and the commentary and lands him in the psychedelic and abstract. Opticals, repetitions, camera moves and zooms are what make up the bulk of this exploration into fluids. The results bridge that realm between hangout art piece and intersteller stoner trip.
Poem Field SeriesPoem Field Series · 1967
Poem Field Series
1967
MovieAnimation
"Each film was constructed using Knowlton's BEFLIX computer language, which was based on FORTRAN. The films were programmed on a IBM 7094 computer. The films were created in black and white, with color added later by Brown and Olvey." --AT&T Archives and History Center
Visual Velocity: The Work of Stan VanDerBeekVisual Velocity: The Work of Stan VanDerBeek · 2000
Visual Velocity: The Work of Stan VanDerBeek
2000
MovieDocumentary
Visual Velocity is a tribute to the pioneering work of Stan VanDerBeek. VanDerBeek was an experimental filmmaker, artist, animator, and media visionary. Produced by David Donnelly, the work originally aired on PBS stations' THE TERRITORY, the longest running public television showcase of independent film/video in the country.
Street MeatStreet Meat · 1959
Street Meat
1959
Movie
Vanderbeek photographs NYC, 1959. The 'meat' of the street: Doorways, debris, dilapidation. We meet a few youngsters and get a glimpse into a bygone era.
Home Movies 1971-81Home Movies 1971-81 · 1985
Home Movies 1971-81
1985
MovieDocumentary
Home movies shot on Super 8mm by W+B Hein over 10 years.
Face ConcertFace Concert · 1981
Face Concert
1981
Movie
Face Concert is an ode to human expression in which VanDerBeek transforms the face into a visual canvas.
Ad InfinitumAd Infinitum · 1968
Ad Infinitum
1968
Movie
Movie-DromeMovie-Drome · 1966
Movie-Drome
1966
Movie
Influenced by Buckminster Fuller’s spheres, VanDerBeek had the idea for a spherical theater where people would lie down and experience movies all around them. Floating multi-images would replace straight one-dimensional film projection. From 1957 on, VanDerBeek produced film sequences for the Movie-Drome, which he started building in 1963. His intention went far beyond the building itself and moved into the surrounding biosphere, the cosmos, the brain and even extraterrestrial intelligence.
Mirrored ReasonMirrored Reason · 1980
Mirrored Reason
1980
Movie
A Kafka-inspired tale, Mirrored Reason tells the story of a woman who is haunted and eventually replaced by her double.

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