Why We Fight?

A group of men gathers around some dead horses to perform a ritual. Summarized in one sentence like this, "nicht schlafen" might retain the semblance of a story. But everything instantly contradicts this notion. The area of the archaic cult is bounded by a giant blanket. And amongst the men there is one woman. Is this the staging of a new Rite of Spring? Will a woman be sacrificed once more to atone for failing masculinity?

C(h)oeurs, a mix of Choirs (choeurs) and Hearts (coeurs) in French, is a new musical drama set against the backdrop of contemporary international economic crisis and national protests, and the ensuing changes in society. Pursuing a reflection on the emotions felt by the individual and generated by the masses, singers from the internationally renowned Chorus of the Teatro Real perform alongside dancers of Alain Platels company les ballets C de la B in a spectacular presentation of excepts from Verdis and Wagners distinct works. Many works of Giuseppe Verdi and Richard Wagner are linked to the liberal revolutions of 1848, the ""Springtime of Peoples"", that swept away absolutism in Europe. Each musical piece blends seamlessly into the next, drawn by the actions of the individuals and groups through the expressiveness of their singing and movement.

Based on the play of the same name by the Belgian director Alain Platel on Les Ballets C. de la B.

In this video Vromman shows us virtuoso how a “plan séquence” is capable of exploring a given spatial arrangement notably an abandoned church in Ghent. It is as though the camera possesses a will of its own, or, more appropriately, as it became itself a dancer within the given space. The columns become veritable side wings behind which the dancers are playing hide and seek and where perpetually new movements and new images are discovered. Summary by argosarts.org