The Inferno Index

The reality, the image of a nightmare from a journey through a burning brain. A Black Mass. Two people. One looks like the other, yet different. A language does not seem to be understood in an old house, which becomes a trap of the Persona Shock. The ritual as a game of a bizarre world?

In the life of an average woman it's her husband and the children, who give her love and secureness. They form a family. Often her husband has to travel for business, only for a few days. In these days she feels loneliness and counts the days till he comes back from his far journeys. Everytime the day of his arrival is a please. But this time he hasn't come back. He has been missing for 3 days.

When Anna awakes one morning at this place without time nothing was as before. She found herself being controlled by a strange force. Controlling her body, her mind and her soul.

An inner conflict, banned on film, visualized within surreal absurd dreamlike layers. Psychedelic like a dark LSD-Trip and injected by their multiple-personality control system, the good witch Surrealistica and the bad witch Uniferno, run into the inner system of their bodies. Without any security, their rivalry grows to a point of losing all control in an nuclear Inferno. -

Arthouse Horror. With Cosmotropia-De-Xam.

An inner conflict, banned on film, visualized within surreal absurd dreamlike layers. Psychedelic like a dark LSD-Trip and injected by their multiple-personality control system, the good witch Surrealistica and the bad witch Uniferno, run into the inner system of their bodies. Without any security, their rivalry grows to a point of losing all control in an nuclear Inferno. -

...and Alice left the shore of infinity and dived into the mirror of time. A mirror surrounded by trees protecting the mirror. Alice looked for her reflection, but she couldn't find it. The mirror had absorbed it. Silence lay around. Infinite silence. There was no sound. Only silence. Alice went further into the mirror. Sometimes the surface of the water reflects the soul, while the undersurface of the water engulfs the subconscious. Duality in twilight.

Scientists vanishing and mutating to Zombies. A door to another dimension. A blind woman who keeps a secret. Mysterious surreal connections that prepare an Inferno for the city of gondolas. Third part of the ANIMA PERSA trilogy (Malacreanza - Il Mondo Perduto - Inferno Veneziano).

Cosmotropia de Xam’s experimental film Space Necronomicon , which includes some amazing AI generated sequences, and Grant McPhee’s, Lori and the Six Six Sixties, a homage to sixties excess and occult weirdness.

An official bootleg recording of the Acid Babylon Experience, recorded 27 May 2022 at the Magasin 4 Live Mass

Cosmotropia De Xam's Fantasia 2.

The vampire countess is trying to bring her master Dracula back to life and create a new kind of immortal creature - the doppelganger. But for this, she needs innocent blood obtained voluntarily, and this is a very difficult task.

A fever-drenched descent into the occult underbelly of Tinseltown, where fallen starlets and demonic muses wage war beneath flickering marquees. Neon bleeds, contracts are signed in flesh, and the silver screen becomes an altar of possession and decay. In this surreal apocalypse of fame, desire is ritual, and every spotlight burns like a curse.

Experience the chilling bizarre and surreal tale of two sisters, part human, part vampire, as they embark on a quest for the mythical Black Matmos, confronting their darkest desires along the way. In 'VIDEOBRAIN,' sisterhood is tested against a backdrop of darkness, power, and the eternal search for immortality.

In a world where reality bends and mysteries lurk around every corner, "Hotel Trancesylvania" takes audiences on a pulse-pounding journey like never before. This sci-fi thriller, set to captivate viewers with its enigmatic plot, introduces us to Emily, a woman lost in the labyrinthine corridors of a forgotten hotel.

Directed by Cosmotropia de Xam. Starring Shivabel. Music by Mater Suspiria Vision and Crossover.