Het misverstand

Two men in chairs by the open hearth; photos move in front of their heads.

Exit is a flashback by a man of fifty. He remembers the moment when, as a young photographer, he was realising an exhibition of his own artistic work when he was unexpectedly commissioned to make a music video. The offer at first seems like the answer to his financial and personal woes, but during the preparations, a childhood trauma he has not come to terms with ensures unexpected complications and everything threatens to turn into a fiasco.

It’s always party time with the De Nooijer family at home. Innocent pleasure or a political film?

What was young gets old, what was healthy is sick. Uncertainty has crept in. What started out tough ends in melancholy. In that sense, this is a farewell.

Menno de Nooijer had previously collaborated on Paul's films, but this one marks the launch of a directors' team that lasts until today. Two man stick their heads through a decor, photographs revolve around their heads. Unfettered reflection on their own work, the basic assumption being a quote from 18th-century writer Horace Walpole, which also appears in other titles of their films: 'Nobody had informed me that at one view - I should see a palace, a town, a fortified city, - temples on high places […]'. In 1989, this film was granted the jury award at the Holland Animation Film Festival. (filmcommission.nl)

Two women and a man test poor sound equipment by shouting "test one two" into the orange microphone increasingly loud and aggressive.

Short film about the questions: When does a line become a shape, and when does a shape become three dimensional?