Narodnaya

Set in Nizhny Tagil, Russia, Summer journeys nostalgically through the warm middle-Ural summer with eight-year-old Vadim and his half-sister Christina. They enjoy evening festivities with their older teenage friends by the fire, go on mellow skateboard rides, and have a quiet daytime nap in the garden house. Caressed by the sun and the warmth of his relatives, hidden in the quiet tranquillity of the garden and far away from the cruelty of the outside world, Vadim enjoys his childhood days. Acting as a serene lullaby that mimics the movements of a gentle breeze, Summer provides warmth, joy and solace, offering hope and strength for the future.

Middle Ural, winter. A time of silence and hibernation. The bright future is anticipated yet covered with a thick layer of snow, hidden by the blizzard. Spring and summer lie somewhere very far, beyond the obliterating winter.

An Ural city of Nizhniy Tagil. Summer is over and a ten years old Vadim is moving to a new district and attends a new school. The last warm days of September. Vadim is making his way through the fading rays of the autumn sun.

The movie was shot at the junction of documentary and fiction films. The film takes the viewer into the late Ural summer of 2019 and immerses us in the real life of today's youth, with all its uncertainty, fragility, pain, despair and aspirations.

Parisian interplay of light and water colliding with the unique textures of MiniDV

Errol and Sasha, two young women in their twenties, drift through their lives and the city. A study by fragments of existences waiting to happen.

Shifting subtly between figuration and abstraction, with Rothko-esque golds and reds, the hypnotic En Traversée by prolific and steadfastly DIY filmmaker Vadim Kostrov evokes the poetry of dislocation by way of a world in motion.

Shot in late August 2024 in Warsaw, Poland; Waning articulates the very essence of fleeting moments of Vadim Kostrov’s life captured in fading late summer light. By using the dispositif of miniDV, the film preserves glimpses of beauty and melancholy of finitude, reflected in fading and almost violent light. As a result, this silent construction of light and shadow—abstract and concrete at the same time—brings us to another realm, proposing the projection of pure impressions and fleeting moments, helping us to feel what the waning really is.

The sea, the cliffs, the boats. A couple of Russian friends come to visit the filmmaker in exile in France. Glimpsed in the distance or invading the screen – the shimmer of the waves is everywhere.

In Glimmering, Vadim Kostrov captures fleeting afternoon light in his backyard. Shot on miniDV and without sound, the film is a silent meditation on impermanence, where glimmers on leaves, fabric, and reflections become a visual poem on time, light, and transience.

Shot on Mini DV and mostly in Paris, Towards the Light is a personal diary of exile. Through images of light, landscapes and memory, the film captures a year (2023) of reflective solitude in exile for Russian filmmaker Vadim Kostrov and his wife, artist Natasha Goncharova. A poetic meditation on displacement, loss and the search for light through darkness.

The film tells about the Moscow art underground through the history of Moscow squats. What does it mean to live today and not adjust at a time when the king of Oats took away, as it seems to us, all the fairy tales?

Shot in Roscoff and Île-de-Batz, Bretagne, Kostrov and his companions move through the unknown landscape, in displacement. Their contours blur under his camera’s gaze – looking not at, but into, with and through. Captured briefly along the way, gestures and textures of the world are given physical presence, where the filmmaker’s antiwar sentiment finds its echo. The title comes from an inscription found on a cottage there — a message from another time, another context: the same plea.

The film takes us to Nizhny Tagil in September of 2021. Gosha Gordienko, the front man of the rock band Lazy Comet, and Matthew Bedin came together to compose the song Ya Videl for the new album of the group, which wasn’t finished. The film is a memory, a gesture that against all odds reminds the true power and beauty of art creation.

Boys — A short story — about the guys who stay away from the art underground, they just work at the local fast food cafe but in their free time, work with cars in the garage and making rap. But they have something to say at the beginning of 2020th. We will ride along the snowy streets of Tagil with them, we will go to a party at the house of the director Vadim, whose old friends are the "boys". Boys will make a rap, talk about their lives and share of personal revelations. "It's better to live in poverty than to interfere people with shit»-said Nikita , one of the «Boys».