The Arch

Jasmine is 40 and has everything she ever wanted: a devoted husband, three loving sons, and a thriving hair salon just south of Naples. But after her father’s death, she experiences a recurring dream in which a young girl runs into her arms, offering Jasmine a new sense of fulfilment and completeness she can’t ignore. She decides to follow her dream of a daughter and dives headfirst into the challenging world of international adoption – risking her marriage, her sons’ well-being, and her own moral compass along the way. The entire family is in crisis, until they finally realize that the only way out is together.

La Moda del Liscio tells a composite story, articulated around major themes (the dance master, the orchestral players, the singer, the club manager, the TV, the epigones of an era) that constitute the epic of ballroom dancing, its anti-heroic dramaturgy, its somewhat vague and kitsch aesthetic. It is a choral story, populated by great figures but above all by orchestras, because ballroom dancing is not a genre for soloists. And there has never been any talk, with regard to ballroom dancing, of 'concerts', but only of 'shows', also choral, each with its own genre dynamics and costumes in which America is always cited. This documentary, through repertoires and interviews, with a focus on the private dimension of those who were the protagonists, wants to reconstruct not a history but a system of memories, an intimate and at the same time public memorial of a country that was happy.