Anna

This is the theme of the film: The secret of objects in the huge space and time curve: the not-being-able-to-recognize, the not-being-able-to-grasp, the not-knowing. The curve is presented in the film as a miniature: 24 hours (morning, day, evening, night, morning) condensed into 40 minutes.

Double 8 focuses on the encounter with Linda Christanell, artist of the feminist avant-garde of the 1970s [...] In the gesture of mutual filming, images are created in the eyes of the others. The gazes into the camera create a visual loop between the two women while at same time pointing at the beholder. These images constitute the two women as self-determined subjects saying: I see you seeing me - instead of being looked at as an object. (Christiana Perschon)

1984 Linda Christanell experimental short

1982 short experimental film by Linda Christanell

A few takes of Barbara Stanwyck and Fred MacMurray, a scene from Billy Wilder’s Double Indemnity, are the starting point for Picture Again: a woman and a man in a car, the murderess and her prey. The images in this sequence are accompanied and superimposed by documentary street scenes from Berlin and Madrid. A few birds flutter like birds of prey through an old horror film. Picture Again values a thorough structuralist formation, musical rhythm of the images, without refraining from the ecstatic.

A film about which there are no words - an action with the camera - objects tell a random story - objects are bearers of obsessions -issuing energy as fetishes. Symbols of femininity and masculinity that have become glitter and trinkets are arranged, contemplated, varied, animated, recoded if not affirmed in their meaning, power. In the centre of all these things a wedding photo: beaming bride with happy, uniformed groom.

1978 Linda Christanell experimental short

1997 Linda Christanell experimental short