Reflection

Amateur filmmaker Kemal Mutlu captures scenes of everyday life with plans of making a film. He lives with his housemate Nuri in a small flat in Istanbul. One day,Nuri's friend from orphanage, Izzet, comes to visit unannounced. Just out of prison, Izzet's colorful character grabs Kemal's attention, and he decides to make a film about him. Unfortunately, it soon turns out that underneath his friendly exterior, Izzet is a psychopath. When he is refused entry into a bar, he gets in by force and kidnaps actress Oznur Kula. Kemal is happy to have found an actress to star in his film, however things soon get out of control as Izzet's sick plans unfold.

Groom's Block is slang in Turkey for prison sections holding those accused of serious sex crimes. The film's story and characters are drawn from everyday life. In the Groom's Block, the guards and prison governor manipulate tensions, as prisoners push each other to the edge of existence. We experience the tension and paradox of a violent prison and justice systems reflecting the shifting moral norms and structure of Turkish society. The jailed and jailers enforce violent justice daily, expressing in their lives a society confronted with its need to hide from itself, in desperate denial of its cruel contradictions.

The story of 12 young people who participate in a competition program where they compete fiercely on courses consisting of various obstacles. When report card week arrives, there is a change in the children's vacation plans. While enjoying their summer vacation, the children will also be competing. The contestants will consist of 6 celebrities and 6 volunteers who have passed the auditions prepared by the celebrities. The 12 contestants will face off in the Entertainment Arena to "stay in the game" and win the Magic Wand award. In this competition, which includes sports, intelligence, and strategy games, team spirit is just as important as individual effort.

Having spent ten years of his life in prisons, Güney escaped from Isparta Semi-Open Prison in 1981 and went to Paris, where he would spend the last years of his life. The recognition Güney received as a filmmaker in France brought him the Palme D'or at the 1982 Cannes Film Festival for his film "The Road." The documentary builds a bridge between France and Turkey through Yılmaz Güney, tracing his footsteps in Paris, the filming process of "The Wall," the lives he influenced through his political struggle and cinema, and the stories of those who were forced to leave their country after September 12th, who came to France as immigrants, his friends and colleagues, and the life stories of exiled people whose paths somehow intersected with his during this journey.

A mysterious woman, seen for a moment and not realised whether she is real or imagined, will upset Basri's monotonous existence and throw him into a story that takes place outside of time and space: A story set in a world of obsessions, fears and delusions in which he finds himself all alone.

“Bocuk” traces the remnants of a Balkan-Turkic belief said to date back to the Middle Ages, still alive in a remote village of Thrace. This docudrama explores the contemporary meaning of an ancient winter ritual and documents the local narratives surrounding it. Blending fear with tradition, the film invites viewers to discover the extraordinary Night of Bocuk, a practice still observed across generations in Turkey.

Qüfür tells story of a sheikh who see the religion as a capital to exploit the masses. On the other hand, the paths of Fatma and Yusuf who are in a deep love will cross in this dervish lodge.