The ZinZins

In an old building, lost in the middle of the swamp, live two strange women, siamese twins by one leg. At night, the Flayed has terrifying nightmares in which she sees her sister's flesh covering her own body.

Between 1967 and 1976, Italian writer Goliarda Sapienza (1924-76) wrote The Art of Joy, a subversive novel about the dazzling social ascent of a rebellious heroine; too scandalous to be published at that contradictory time.

The story of an egg trapped inside a frying-pan trying to escape its fate, symbolized by a huge spatula, determined to attack him.

Emergency medicine intern Margaux can no longer stand it. During another very hectic and patient-filled shift, she forgets a homeless woman on a stretcher who then dies. Shocked Margaux has no choice but to continue working. But suddenly, her body starts sweating blood uncontrollably.

Faced with writer's block, a resourceful young girl summons the powers of a chicken pencil. Together, they embark on a colorful journey into the heart of imagination. This short film is part of the collection "En sortant de l'école," which pays tribute to Andrée Chédid.

Emmy is a tribute to the german mathematician Emmy Noether. It's the portrait of a woman, of a scientist and the times she lived in. As she travels to Paris on board of the Orient-Express, Emmy works on an equation deemed impossible to prove. The film follows her over the day, as landscapes and different emotions pass by, until her arrival in Paris and to the Congress.

Rennes, 2020. The Cinéma Arvor, a temple of art and independent film, is spending its last hours in its emblematic building with its five columns and pink neon sign. The Arvor will move into a modern glass tower, next to the EuroRennes train station. The cinema will expand from two theaters to five and enjoy greater programming freedom. Putting financing together does not run smoothly; delays pile up on the construction site. Nothing out of the ordinary, until the pandemic throws the schedule into disarray yet again. The directors shadowed the Arvor team for more than two years. As cinephiles, they make this history an ode to art and independent film and share their love of the theater as a place of communication, encounter, and extraordinary shared experiences of cinema on the big screen.

Éva, thirty-nine, lives alone. She would like to have a child. She may not have much time left. A gynecologist has just told her that her ovarian reserve is deplorable. The countdown begins. But she's instinctive, a bit messy and her battle plan lacks precision.