The Memory of Justice

The Girl with the Whip

The daughter of a notorious smuggler is raised as a boy by her foster mother.

The Harvest of My Lai

Filmmaker Marcel Ophuls investigates the massacre of My Lai by U.S. soldiers.

A Sense of Loss

Shot over six weeks in December 1971, and January 1972, the film consisted of interviews with Protestants, Catholics, politicians, and some soldiers, combined with TV news clips of bombings and violence. The deaths of four individuals formed the central focus of the film, which Ophüls described as ‘an old, middle-aged, humanistic, social-democratic attempt to give people an idea that life after all is not that cheap’. The BBC refused to transmit the completed film on the grounds that it was ‘too pro-Irish’ (Sunday Times, 5 Nov. 1972). (via http://cain.ulst.ac.uk/othelem/media/docs/freespeech.htm)

Yorktown: The Meaning of a Victory

Commissioned by French TV, Yorktown covers the bicentennial commemoration of the Siege of Yorktown, near the end of the American Revolutionary War, where the Americans and their French allies defeated the English. The festivities celebrating Franco-American friendship give Ophüls some amusement, as he takes a gleefully ironic look at the formally “friendly” meeting between Mitterand and Reagan, or exposes the absurdity of patriotic folklore.

Munich, or Peace in Our Time

A television documentary directed by Marcel Ophüls examining the Munich Conference of September 28, 1938, when European leaders met to avert the outbreak of war. Through archival documents and interviews, the film reconstructs the political atmosphere surrounding negotiations between Britain and France on one side and Nazi Germany and Fascist Italy on the other, situating the agreement within the broader context of European appeasement in the face of fascism.

The Sorrow and the Pity

An investigation into the nature, details and reasons for the collaboration, from 1940 to 1944, during World War II, between the Vichy regime, established in the south of France and headed by Marshal Pétain, and Nazi Germany.

Annie Hall

New York comedian Alvy Singer falls in love with the ditsy Annie Hall.

Hôtel Terminus: The Life and Times of Klaus Barbie

Marcel Ophuls' riveting film details the heinous legacy of the Gestapo head dubbed "The Butcher of Lyon." Responsible for over 4,000 deaths in occupied France during World War II, Barbie would escape—with U.S. help—to South America in 1951, where he lived until a global manhunt led to his 1983 arrest and subsequent trial.

Lola Montès

Lola Montes, previously a great adventuress, is reduced to being the attraction of a circus after having been the lover of various important men.

November Days

Marcel Ophüls interviews various important Eastern European figures for their thoughts on the reunification of Germany and the fall of Communism.

Love at Twenty

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

Ain't Misbehavin

18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.

Banana Peel

Two scoundrels cheat a millionaire out of a huge bankroll on the French Riviera.

Munich

A segment of “Love at Twenty” is a story of an unwed mother who contrives to trap the father of her baby.

The Troubles We've Seen

We follow Marcel Ophuls' two journeys to Sarajevo in 1993. He is starting a documentary about war correspondants. But this also becomes a reflexion about truth and life. The form consists in many interviews of mostly French and American journalists and reporters of television or newspapers.

Egon Schiele: Excess and Punishment

In 1912, in Austria, the painter Egon Schiele is sent to jail accused of pornography with the nymphet Tatjana in his erotic paints. His mate, the model Vally, gets help from a famous lawyer to release him. Then he leaves Vally, marries with another woman and goes to the war.

Grbavica: The Land of My Dreams

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

In the Valley of Elah

A career officer and his wife work with a police detective to uncover the truth behind their son's disappearance following his return from a tour of duty in Iraq.

The Great Raid

As World War II rages, the elite Sixth Ranger Battalion is given a mission of heroic proportions: push 30 miles behind enemy lines and liberate over 500 American prisoners of war.

Why We Fight

Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.

Gardens of Stone

At Arlington National Cemetery during the Vietnam era, veteran sergeant Clell Hazard trains young soldiers while mourning those lost in combat. Unable to return to war himself, he mentors Jackie Willow—the idealistic son of a fallen comrade—hoping to prepare him for the realities of Vietnam and the cost of duty.

R-Point

On 07 January 1972, the South Korean base in Nha-Trang, Vietnam, receives a radio transmission from a missing platoon presumed dead.