Maybe We Can Go to Hollywood

A serial killer is about to get on his revenge with the people inside a movie theater during a midnight showing.

A horror anthology featuring three short stories & a wraparound segment hosted by demented "film critics".

Things take a turn for the worse when a down-on-their-luck band has a chance encounter in the pine barrens of NJ.

Deep in the Pennsylvania hills, a cemetery for those who died during exorcism remains a dark secret for the church. In 1671, hundreds of men, women, and children suffered in bloody, torturous rituals at the hands of priests unable to contain the evil of the possessed. Were these possessions real, or is the story a hoax to cover up the sins of the deranged priests thirsty for human blood? Bill and his team of cynical paranormal investigators plan to find out the truth. Armed with the church's historical record, they set out into the wilderness to uncover this series of forgotten atrocities. Alternately gut-punching hilarious and brutally violent, The Cemetery takes the best elements of the old-school slasher film and pushes them to the edge.

Heather is broke. She has a soul sucking job as a stripper. Her live-in girlfriend Victoria has a baby and a coke problem. Her boss Harry is an abusive maniac. Life cannot get much worse... or so she thought. Determined to get out of this living hell, Heather and her lover, Bunny, plan to rip off Harry, ditch Victoria, and leave town to live out their days on the Greek islands in peaceful bliss. One big score is all they need, and Harry gives them the opportunity when he asks them to take care of a drug deal with one of his clients at an old warehouse.

Simon Says is a trailer park revenge flick about a cult-like group of children suffering abuse at the hands of their parents. Grim and dark, this short pulls few punches and satisfies the gut-reflex for vengeance.

A broken man flashes through memories of a softer time