The Yakuza Principal

Hama-chan meets a friendly US soldier on a trip to Nagasaki with Su-san. Su-san returns to Tokyo and is informed that Hama-chan has gone missing.

Serial killer vs newspaper reporter. A shocking mystery depicting an unprecedented theatrical crime! Can the reporter played by Hiroshi Tamaki stop the assault of serial killers with "words"???

A popular manga about a corporate auditor of a major bank is adapted for the screen starring Yuji Oda, one of Japan's favorite actors. With a strong sense of justice and trusted personality, the antagonist takes on the vast darkness of a mega bank to fully expose bank fraud.

One million yen in elaborate fake bills that no one can tell are not the real deal were picked up by a homeless person. The bills begin to circulate like the blood flowing through blood vessels. These fake bills undermine the Japanese economy like a virus. In order to build a world that is not dominated by money, a plan to overturn the value of the root of money is launched. What is the fate of the man with such a tremendous plan? A millionaire, an undercover agent, community representative, and a genius appraiser that specializes in distinguishing counterfeit bills, speculation is placed on each. Everything leads to a conspiracy of dark organizations trying to destroy the Japanese economy.

On Christmas morning, Fujino Ryoko finds her classmate Kashiwagi Takuya’s dead body at their snow covered school. The police and the school conclude that Kashiwagi Takuya died by suicide. At that time, an anonymous letter is delivered to Fujino Ryoko. The letter states that Kashiwagi Takuya was murdered by a group of students including Ooide Shunji. The media and SNS begin to question whether Kashiwagi Takuya really died by suicide or was he murdered. The school principal tries to take control of the narrative, but this leads to a more chaotic situation. Fujino Ryoko is disturbed by people's reaction to Kashiwagi Takuya’s death. She asks for a trial and an unprecedented school trial begins.

Detective Ukyo Sugishita confronts crime on the basis of his own convictions. He has a partner that works for him in the Special Task Unit. For the first 7 seasons, Ukyo’s first partner is Kaoru Kameyama. He is a good-natured, hot-tempered, straightforward and somewhat scattered detective. Beginning in Season 8, Takeru Kanbe replaces Kameyama. Contrary to his predecessor, Takeru is a lanky, cool, conceited and confident detective. From Season 11 to Season 13, Ukyo’s partner is a young detective Toru Kai. Toru is a son of Deputy Director-General of The National Police Agency. But he became a detective by his own effort. And starting with Season 14, Ukyo’s current partner is Wataru Kaburagi, an elite bureaucrat who came to the Metropolitan Police Department on temporary assignment. As the first partner without any career of a police officer, he will face challenging cases together with Ukyo.

Satake Junko is arrested as a suspect in a series of suspicious deaths. The murders of five men she allegedly killed are all over television talk shows every day. As the media coverage heats up, a journalist Tanabe Junko, who works for the popular non-fiction writer Kubota Mei, and Kubota’s new assistant Ukai Yuko begin to gather information on the cases in a search for the truth.

An incident is talked about all over Japan. The case involves the Doizaki couple that killed their 15-year-old daughter and hid her body under their house for 16 years. One day, housewife Toshiko Hagitani visits Shigeko Maehata who works for a small editing company. Toshiko tells Shigeko that her 12-year-old son Hitoshi might have a special ability to see other people's memories. She pulls out a picture drawn by Hitoshi. The picture has a girl with a grey colored face lying in a house that has a bat shaped weather vane on its roof. The picture seems to depict the incident involving the Doizaki couple. Shigeko decides to do some research, but Hitoshi dies in a car accident. Meanwhile, the attorney for the Doizaki couple tells their second daughter Seiko that the couple has cut off all ties with her. Around that time, a female high student is confined.

Describes how two women who are hurt by the selfish desires of the men around them and try to fight against them so as to regain hope in their lives.

Meiko and Taneda are a couple graduated from university two years ago. Unhappy with their lives, Meiko quits her job and encourages Taneda to have his band become professional.

Seeking a greater justice, a band of homeless assassins flays their human targets and delivers the tattooed skins as proof of a contract fulfilled.

In an attempt to spur citizens into taking more productive roles in society, the Japanese government issues death messages, or "ikigami", informing them that they have only 24 hours left to live. The film follows a young man tasked with delivering these messages, as well as the victims.

In May 2003, the Japan Aerospace Exploration Agency (or JAXA) launched an unmanned spacecraft of their own development to retrieve samples from an asteroid. Seven long years later, Hayabusa achieved its goal and was the first of any kind of craft launched from Earth to safely return samples of this kind to home base. The story was one of such great national pride for Japan, and in the wake of the tsunami and resulting tragedies in Japan it’s strong nationalistic message became the subject of no less than three rival films. Yukihiko Tsutsumi’s high-profile effort, simply titled Hayabusa (2011) starred the incomparable Toshiyuki Nishida. Most recently, Welcome Home, Hayabusa (2012) was released to Japanese audiences. Slipping in between those two was Hayabusa: The Long Voyage Home, concentrating on the people on the ground who helped return the probe safely.

A seemingly random series of bombings in a provincial city. The latest target is a public bus route. Detective Chaya chased terrorists and arrested a mysterious man with keen intelligence and physical power. The psychologist in charge of evaluating him is Dr. Mariko. After the psychiatric examination, she puts toward a hypothesis – “Is it possible he was born without emotions?”