Martín García

América Scarfó starred one of the most passionate love stories in Argentina with Severino Di Giovanni, the lead anarchist figure and the most wanted man across the country. The relationship developed under clandestine meetings and love letters.

An experiment, a filmed diary, a photo album, a self-portrait with the tribe. What does an actor do when he has no work? He invents fictions as an act of survival, here I am! I film myself, I film them, my sacred children, so that there is a record, a we were here too.

Navigating the triple border that separates fiction, documentary and essay, in Dueto, writer and filmmaker Edgardo Cozarinsky and actor Rafael Ferro expose, in a confessional manner, the bond they have shared for many years, not only recalling but also retelling a handful of common stories. Some of them have to do with the origin of their relationship, others with its extremes, from the most tense to the most playful. However, all of them converge in a common denominator that keeps them together despite everything. Dueto is the story of two men who, without any shame, allow their friendship to affirm, with conviction, its real name—love. One that is sometimes tender and light, other times possessive and rough, but always ready for a generous indulgence that doesn’t need that of the flesh. The two of them turn Dueto into an oath made of film, in order to honor the pact of that powerful shared feeling.

This is the story of a successful family of artists and an unlikely blended family, told through what for some is the worst Argentine film in history and for others, an object of devotion.

The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.

A film portrait of Argentinian pianist Margarita Fernández. Medium makes her visible as a mediator, building bridges between past and present, different generations, scores and music, sounds and images, her own art and that of cinema.

Federico Manuel Peralta Ramos was an artist responsible for the creation of a work that it was as ephemeral as it is eternal. He was born in a traditional family, but some years later the curiosity for the art scene, night life and avant-garde development pushed him to live within the iconoclastic and unbiased young 60's crowd.

Convicts, scammed people, addicts, musicians in trouble—all of them look for Joe Stefanolo, the criminal lawyer who’s been fighting for more than four decades to bring the spirit and ideals of rock to justice.

A documentary about the people of Cape Polonio, a vacation resort, and what these people do once the tourist season ends.

Influenced by the sound of the city, different artists improvise ephemeral pieces that dance between music and what is typically considered to be “noise.” Different sonorous and visual textures converge in this documentary about the creation of experimental music in Buenos Aires.

From a rural community with goals that seem utopian in that context, Garisto goes through a dystopian universe: today's Haiti, destroyed by both nature (the terrible 2010 earthquake) and man (governments and the presence of Minustah, the UN's armed forces that occupy the territory).

Juana Rouco Buela had a dream at the beginning of the 20th century: to liberate women from an economic system and a patriarchal authority to which they were subjected. She found in anarchism the space for her struggle. Thus, she laid the foundation for women's rights today.

In a city marked by hypocrisy and desire, Ana, an erratic young woman, crosses paths with a nun in a crisis of faith. Between the sacred and the carnal, their limits and beliefs are stretched to the breaking point, until reality is distorted and violence erupts as a desperate act of help.