Janusz W. Case

Andrzej (Bartosz Opania), a popular film stunt is a happy husband and father. It appears that the specific work of Andrzej does not disturb his calm family life. So how should be explained the anxiety, which appears in the moment of Andrzej's another risky venture? The film was based on a story by Joanna Kocemba "Rainbow" and refers to the Decalogue First Commandment “You shall have no other gods before me” - as a part of film cycle produced within the project „Dekalog89+”. Leszek Korusiewiecz is one of the ten young directors which has taken the challenge of making new film on the Decalogue Commandment's impact for young generations, due to the project made on 20th anniversary of launching the famous "Decalogue" by Krzysztof Kieślowski.

Adam, a yacht designer, is a workaholic neglecting his family. Now he has to face one of the most important decisions in his life. Does the affection from his childhood, a reminiscence of taking part in the Sea Fishermen Pilgrimage will give him strength to fight for make an order along his private matters?

Kasia (Klaudyna Lewczuk), a student of dance school, lives with her mother (Ewa Kasprzyk) in a large flat. One day her mother rents a room to the lodger – a sports high school student. Kasia and the lodger start to run an original friendship relation – without words and meetings. The film is based on the story by Bogna Hołyńska "Fresh paint" and refers to the Sixth Commandment "You shall not commit adultery." - as a part of film cycle produced within the project „Dekalog 89+”. Marcin Bortkiewicz is one of the ten young directors which has taken the challenge of making new film on the Decalogue Commandment's impact for young generations, due to the project made on 20th anniversary of launching the famous "Decalogue" by Krzysztof Kieślowski.

This short deals with the seventh commandment ("You shall not steal") in the new Decalogue. Young graffiti artists steal paints from a shop and, supervised by Tomasz, a 45-year-old graphic artist, start to paint graffiti on the wall. Tomasz is going to through a difficult period in his professional and personal life working under pressure from his employer who wants him to prepare a project that will satify the client. He has to compromise his own beliefs and taste and struggle to meet the deadline. The film was made as part of "Decalogue 89+" series.

Mother (Maria Seweryn) and daughter (Michalina Rodak) live alone in a small house on the outskirts of the village. Their close relations get distorted by appearing of a mysterious man. Are women able to defend themselves from mutual jealousy and distrust? The film is based on the story of Aleksandra Duda "Olive" and refers to Eighth Commandment "You shall not bear false witness against your neighbor." – as a part of film cycle produced within the project „Dekalog 89+”. Tomek Matuszczak is one of the ten young directors which has taken the challenge of making new film on the Decalogue Commandment's impact for young generations, due to the project made on 20th anniversary of launching the famous "Decalogue" by Krzysztof Kieślowski.

19-year-old Janka comes from a catholic family. She lives together with her parents in a small town near the eastern border of Poland. One day she meets an eccentric Russian woman–Sara. The feeling that is awoken as a result of the encounter becomes for Janka both the beginning of sequence of trials and reflections upon her own life. The film corresponds to the Ninth Commandment: “You shall not covet your neighbor’s wife".

Anna – the mother of a 16-year-old Adaś, who is dying of cancer, is desperately trying to find Wiktor, an author of an internet blog. Wiktor maintains to have found a cure for cancer. Anna’s night journey through the real and virtual world ends with a shocking discovery. The film is based on the short story 'Płomyk za szybą' [Flame behind the Window] by Marcin Kaczmarek and corresponds to the tenth Commandment: 'You shall not covet your neighbour’s goods'.

A lonely 17 –year-old Ania (the Newbie) is seeking acceptance in a group of peers playing risky urban games. She pays for her strivings with a loss of faith in values. With nothing to lose, Ania invents a daredevil game, supposed to provoke the group and especially its leader-Czarny, to think. The surprising end of the film gives a new chance to return to normality for its characters. The film is based on the short story 'Moc słowa' [The Power of Word] by Anna Czajka and corresponds to the second Commandment: 'You shall not take the name of the Lord your God in vain'.

After the death of his wife, the father of 16-year-old Wojtek, succumbs to a nervous breakdown and loses touch with reality. The school authorities where Wojtek is a student already know about this problem. If Wojtek’s father doesn’t prove he is able to look after his son, Wojtek will be taken to an orphanage. Wojtek is left with a few hours to master the situation and overcome the problem. The film is based on the short story 'ON' [He] by Joanna Łabuz and corresponds to the fourth Commandment: 'Honour your father and your mother'.

During part verité, part exposé road trip, director Pawel Gula proves there is no honor in killing. The film juxtaposes horrific news footage with insights from the families of victims whose lives have been irreparably altered and the killers who are still debating the consequences of their actions. Broader commentary is given by officials and activists fighting this horrific tradition.

A young apprentice struggles to master nanotechnology on an alien world and prove herself to her enigmatic master. Will her herculean goals remain tantalizingly out of reach, or will she fulfill them and in the process, change life as we know it?

A dynamic and full of punk energy story based on life of one of the most original and interesting contemporary artist, the performer, Oskar Dawicki (playing himself). The main theme of his art is the search for an answer to the question of whether. Oskar Dawicki exists at all. The trade mark of his performances is his blue shining jacket.

Basia has already settled down in her life. She is a housewife and has a loving family. It seems as though she does not miss anything to be happy. Until a moment when an opera diva moves into an apartment upstairs. Basia is enchanted and seduced with her voice. A peculiar relationship is born between them. It develops into a feeling which is not particularly comfortable for either of the two women.

A poignant professional directing debut of Kobas Laksa, a visual artist, photographer, performer and an experimenter. Larysa and Boris, immigrants from Ukraine, are raising their son Mitia together. They try to balance their private and professional life. Larysa plays the flute and tries to be admitted to the local philharmonic orchestra, while Boris is a street mime. When they seem to have luck on their side, an accident that happens forces them to redefine the vision of the future they have had so far. Very close to man, this kind of cinema is balanced and intimate, with a sparse use of dialogue and great consistency of the form.