Rastros que Deixamos

A bad luck that should never have happened, sends Rodrigo into a coma that lasts five years. And when he wakes up, after so long haunted by the image of the woman who shot him at close range, he realizes that life has not stopped waiting for him, without realizing that everyone is lying to him. And that your best friend is getting ready to get you into trouble again.

Ília suffers from a syndrome named Capgras that prevents her from recognizing her own sister. What desperate ways will they have to take to keep themselves close to each other?

Donana, a midwife with more than half a century of experience, represents the resistance of tradition and humanization to childbirth in the region of São Gonçalo do Amarante, in Rio Grande do Norte. Owner of a strong personality, she shares her wisdom, acquired over the years as a midwife, mother, saint mother, godmother, woman. Like the chanana, a flower that grows in the middle of the concrete and is underestimated for its fragile appearance, Donana teaches us to remain firm despite the adversities of life.

Bianca, a public school teacher, decides to renovate her house after receiving the news that her daughter is coming home.

Ciana and Zefinha have always lived for each other. Surviving is a daily challenge and knowing how to forgive without remembering the past will be essential to moving forward.

A city made of cinema. A cinema that imagines the city of Christmas.

In Mãe Luiza, on the outskirts of the city of Natal, the sounds of everyday life are mixed with the beats of funk, leading us to immerse ourselves in a universe of dreams, recognition and prejudice experienced by local youth.

In order to invent a region, it is necessary to create its culture, preferably with the help of cinema. Inspired by the book and play “A Invenção do Nordeste”, this is a re-editing of Brazilian films essential to the foundation of the Northeastern imaginary.

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.