Moby Dick

Make way for the reluctant detective. It's Ellery Queen, the suave, debonair and brilliant hero of the new, live, full-hour detective show. George Nader plays the stalwart writer turned investigator.

Long-running anthology program sponsored by Hallmark Cards. Beginning in 1951 and continuing into 2019, the series received 80 Emmy Awards, 24 Christopher Awards, 11 Peabody Awards, 9 Golden Globes, and 4 Humanitas Prizes. Early seasons were a weekly live drama, eventually transitioning to videotaped and then filmed productions broadcast as occasional specials.

The Philco Television Playhouse is an American anthology series that was broadcast live on NBC from 1948 to 1955. Produced by Fred Coe, the series was sponsored by Philco. It was one of the most respected dramatic shows of the Golden Age of Television, winning a 1954 Peabody Award and receiving eight Emmy nominations between 1951 and 1956.

Bold, eccentric Broadway performer Elizabeth Madden befuddles her handlers by coming home with a baby she picked up on the street. She wants to keep the baby but has to find a husband to make adoption viable. She offers her new obstetrician Dr. McBain help with his research on rabbits in exchange for marriage - and he accepts. The marriage of convenience turns into a marriage of real love until Dr. McBain's ex-wife comes looking for money.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.