Dead Flash

Dragon Dilatation is the union of two filmic essays, Petrouchka and La Déviante Comédie. The first part is a rereading of Stravinsky’s ballet, while the second segment is made up of traces of an unpublished performance rehearsed at the Théâtre des Amandiers.

A fantasized portrayal of Polish auteur Walerian Borowczyk, Boro discovers a cruel and obscene world. He experiences banal yet colorful adventures, caressing erotic birds and organic cameras in a phantasmagorical alphabet.

Island of La Réunion, in the beginning of the 20th century. Five teenagers commit a savage crime. As punishment, a Dutch captain takes them to a supernatural island with luxuriant vegetation and bewitching powers.

The blue horseman, born in the kitchens of hell, escapes and sets off to discover, a strange, dreamlike world. Caught up in all kinds of manipulations, he ends up becoming a legend himself.

In a world in decay, a woman collects her dead animals and restores them to life by filming them images by image.

The end of the world of humanity as seen by Mandico. A time, as much future as current, where “cinema will be will be all other and nothing else”. Where, “it will be the last appointment of the flesh”, where “the energy will be cannibal and the sun will reflect to say nothing”. Pessimistic or optimistic is this cinematic pamphlet on art? In this destroy, and barbaric, jubilant and cinematic transgressive performance, it's up to you to think. Because thus spoke Bertrand Mandico...

In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.

Traveling through the abyss, underworld dog Rainer recounts the six lives of Conann, perpetually put to death by her own future, across eras, myths and ages. From her childhood, a slave of Sanja and her barbarian horde, to her accession to the summits of cruelty at the doors of our world.

An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actrice, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.

In a faraway future, on a wild and untamed female inhabited planet called After Blue, a lonely teenager named Roxy unknowingly releases a mystical, dangerous, and sensual assassin from her prison.

Two actresses rehearse a play during a week-end in a country house. But one of them digs up a strange thing from earth while walking in the woods. A creature the size of a seal, without any holes nor members. The mass of flesh and skin, covered with hair, breathes loudly. The creature becomes an object of lust for both women. The relationship between the two actresses becomes tense. Both women are desperate to own the thing. This leads to a series of burlesque and violent situations. The two actresses have no idea that they have unearthed "Notre-Dame des Hormones"

Octavia Foss wants to stage a female version of Conan the Barbarian in the theater. She makes a pact with a dog-headed demon to achieve her goals.

According to an English legend, Joan of Arc never died at the stake. Her eyes were seared with hot pokers and she was deflowered by an English stud. She was then sentenced to wander on the battlefields, like a vulture, on the look-out for life and searching for any virgins left alive.

Two policemen interrupt a secret ceremony: a woman being disembowelled at the bottom of a garden to let out her inner beauty. This situation is presented in a variety of ways and all possibilities are explored.

In Arnarstapi (Iceland), during a cabaret number, a mistress of ceremonies proposes to us a journey into the center of her organs to go and meet the original being. During the journey, the public enters into a trance to reach the ecstasy.