The Law in These Parts

Provocative in its cinematic simplicity, THE VIEWING BOOTH recounts an encounter between a filmmaker and a viewer, exploring the way meaning is attributed to non-fiction images in today's day and age.

The controversial story of Martin Zaidenstadt, an 87 year old Dachau KZ survivor that remained to live his life in the adjacent town. It is a strange and fickle story of a conflict between this man and his environment, spun out through the experiences of three young tourists who came for a routine day trip to a KZ memorial and found more then they expected. The film takes place in the "back-stage" of a concentration camp memorial, and on the "backdrop" of the town of Dachau. A town forever marked by its name and desperately attempting to change its image in the eyes of the world. The subjective tourist point of view, and the accidental manner in which Martin's story, opens the film to basic questions about the relationship between memory and commemoration, about the construction of historical truth, and about the connection between the third generation and the Holocaust.

During his journey to Jerusalem young James learns the meaning of being Israeli.

An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.

Documentarian Ra'anan Alexandrowicz accompanies a Palestinian tour group on a three-day sight-seeing trip to Israel.

Futurists Martine and Bina Rothblatt commission an advanced humanoid AI named Bina48 to transfer Bina’s consciousness from a human to a robot in an attempt to continue their once-in-a-galaxy love affair for the rest of time.

Bazooka Joe and his gang read the future tellings, which say they will get to the moon by age 21.