Esperanza

In a Havana, shaken by Fidel's retirement, a young seamstress, trapped in a sweatshop job, dreams of designing beautiful dresses. Frustrated by her lazy, though adorable Cuban boyfriend, she meets a sophisticated ex-patriot Cuban-Venezuelan who dazzles her with a glamorous future. After many deceptions and surprises, Eva has to choose between the two men she loves. Hers is an unexpected decision... a humorous metaphor of Cuba's options for the future

A shocking secret, ex-lovers and the arrival of an outsider shake things up for Liz as she celebrates her birthday at a lesbian-owned resort.

Li-Ann, a dreamer, is a strong believer of the soul mate theory and rejects all men, especially her best friend KS, until she falls in love with Jeremy, at first sight. They tour Chinatown, Singapore, together on February 29, 1980. Unfortunately, she is heartbroken when he tells her he is engaged. He decides to make up to her by meeting her at the same time, same place, every leap year. Their love spans 20 years, as they realize the pain of love until they take the leap of faith...and the leap of love...

Set to the intoxicating rhythms of Brazil, "Woman on Top" is a spicy, sexy comedy about the magic of food, love and music. Meet Isabella, a sultry enchantress born with the special gift of melting the palates and hearts of men everywhere. When she decides to break free from her rocky marriage and the stifling kitchen of her husband's restaurant in Brazil, she spirits off to San Francisco in pursuit of her dreams of a real culinary career.

A young girl is sent to a Venezuelan hacienda, where she learns about the life of her reclusive aunt, Oriana.

Two spoiled Beverly Hills sisters who have been left penniless after their father's sudden death are forced to move in with their estranged aunt in East Los Angeles.

Everybody takes advantage of Fernand who has just come out of prison.

Ana bolts from her wedding altar and flies from Venezuela to Paris to realize her dream of becoming a great opera star.

Non-US directors speak about the idiosyncrasies of filmmaking in their respective countries. Because of the difficulty of financing, very few American film directors establish a body of work. For American women directors, the problem is two-fold. But in Europe, Canada, and some countries of South America, filmmaking is often government subsidized, making it possible for filmmakers to become prolific in their craft.