Palo Amargo, Jeep, Grapefruits

In 2019, Nicolás was archiving photographs for J.M. Blanch when he discovered a secluded, uncataloged image depicting an artifact that resembled a ticking time bomb. Intrigued by the photo, Nicolás recorded an interview with Blanch to learn the story behind the mysterious object.

An encounter from night till morning.

In doubt after a 3 year relationship, Nicolás, searches in his closest friends the meaning of romantic love. Without a clear idea in sight, he turns to his grandmother.

Contemplative piece that portrays the silent bond between a man and the river that watches over him. Set on the banks of the Paraguay River, in the city of Concepción, this poetic short film explores the stillness, memory, and emotional landscape of a place that speaks through water, wind, and waiting.

Sister Concepción balances her work at an upscale school with her commitment to helping sick and underprivileged children, while reflecting on a life dedicated to service.

To know you have to imagine. Perform an act of rhetorical detour to long something that was not known. To know you have to imagine the document. Not every documentary is a record alone without apparent alteration -that there is a camera already implies, after all, the alteration of a system of things-; Perhaps there would be another form of documentary closer to what was imagined, to the possibility of a document that would not exist otherwise.

After his best friend moves abroad, Nacho and Enri embark on a road trip that forces them to confront jealousy, expectations, and the uncertainty of their new relationship. Meanwhile, the actor playing Nacho begins to question how much of himself he's willing to reveal in a film based on his own life.