Wild East

Two Latvian actors travel the country and visit different witches and healers to find purpose to their lives after years of alcoholism, which has had a great impact on their personal health. On the way they run into trouble, adventure and many comic, as well as tragic, situations.

A solitary cat, displaced by a great flood, finds refuge on a boat with various species and must navigate the challenges of adapting to a transformed world together.

A five-year-old Yazidi boy is released after nearly three years in ISIS captivity. Profoundly disturbed, brainwashed and weaponized by the abuse he endured, he displays violent hatred towards the world around him, and particular revulsion for his mother, who was held hostage alongside him. Imad considers himself to be an ISIS fighter and lashes out against children and adults alike in this intense horror film about a child possessed by terror. As menacing as his behaviour is, it is a mere imitation of the humiliation and brutality he was moulded by. He did exactly as he was told by ISIS in order to survive, and now, surrounded by other survivors, the love of his family and help from a therapist, will he thrive?

This is an intimate and personal story about women who were supposed to be the children of complete and total socialism, about the environment they grew up in, their youth and their life now. Teacher Lapaine’s class reunion happens every year on March 21. This year is no different. Just like 25 years ago, when director Una Celma first documented her classmates in a film under the same title. The traditional table is set with beverages, cakes and candy, and the yearly photo taken. Nowadays, they are mothers, aunts and grandmothers. Their fates have changed, but what about themselves?

A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.

Two teenage girls, Yin Jia and Tong Tong, live together in this colour-drenched vision of Changsha, China. When Tong Tong drifts away and falls in with a drug dealer, Yin Jia’s love for her means she’ll risk everything to keep Tong Tong by her side.

In one long take lasting nearly an hour and a half, three well-known Latvian actors re-stage scenes from renowned Soviet Latvian movies made under the Riga Film Studio. As they progress from film to film, their re-enactments lead them to discover the undeniably funny personalities and unbelievable circumstances under which these films were made. Blending documentary, theatre and fiction film, this is a comedy about the cinema and the actor, and a heartfelt homage to the Riga Film Studio.

Anastasia is 13 and her sister Diana is 11. The two sisters live in a Latvian orphanage. When they find out that an American family is ready to adopt them, Diana cannot wait to move to the States, while Anastasia is less excited about the idea of leaving her home.

Sisters Ernesta and Justė, along with their husbands Lukas and Tomas, gather at their parents’ summer house. It’s been a while since they’ve all been together and the children are delighted to be spending the last warm days by the lake. But an intense weekend soon unravels, thrusting both families into a radically altered reality where time is limited and emotional issues must be solved amidst growing heartache.

Through the prism of three distinct characters, the 24-year-old director conveys an intimate and sensitive portrait of his own generation, wanderers looking for their place in the new and uncertain world. Dancer Tanya moves to Mississippi where she finds love with a paraplegic wheelchair basketball trainer who is more than 20 years her senior. App developer Tomass abandons the life he had before and becomes a world-travelling digital nomad. Avant-garde publisher Valters collects toilet seats in a poetically performative attempt to overcome past trauma.

Self-proclaimed cryptocurrency expert Fatso is a middle-aged curmudgeon frittering away his days with video games and conspiracy theory videos. Obsessed with the concept of eternal life since childhood, Fatso experiments with various quack theories in the hopes of becoming immortal, despite his miserablism. When Egons and Carlos inexplicably appear outside of his remote woodland trailer, asking for an invitation inside, they bring glad tidings that he has recently been selected as “the chosen one.” Appealing to his nature as a “cowardly, passive, antisocial sluggard,” who has squandered his humanity so thoroughly that the transition to undead would prove practically seamless, the friendly duo make promises of a new, more fulfilling life as a vampire.

Laine is a college girl from a bland middle-class suburb in Latvia. As Laine’s father distances himself from his crumbling marriage and his family, Laine is unable to cope with the separation and discovers the edgy Riga party scene, where she falls in love with seasoned raver Gunda. Going from rave to rave, the girls journey into a drug-fuelled underworld of anarchy, freedom and exploration.

A young Latvian boy's life faces changes as his country is occupied by the Soviet Union and Nazi Germany.

Thirty-seven-year-old Zane and Kaspars seem to have it all – love, careers, a home, and shared hobbies. Still, for a decade, they have been unable to have a child. After trying fertility clinics, diets, churches, and healers, Kaspars is slowly coming to terms with the idea that life can be fulfilling even without children. Meanwhile, Zane cannot accept the thought of not becoming a mother and is ready to go to any lengths to make it happen.

What happens in the eyes of a 100-year-old filmmaker? Rolands Kalniņš, one of the great masters of Latvian cinema, sits down to have his photo taken and looks straight in the lens. Kalniņš’ life has spanned an authoritarian regime, a world war, long years under Soviet occupation and censorship, and retirement in independent Latvia. His films have been censored, destroyed, found and restored. But here, like Herz Frank once did with a child, for ten minutes we shall observe the micro-emotions of a man who has dedicated his life to film. Confronted directly by the tool of his trade, the camera. As we face Kalniņš eye to eye, we hear the sounds of his present, and the memories of his past.

A rural doctor is urgently summoned to attend to a gravely ill young boy. Grappling with the pressures of his profession and the demands of his household, he embarks on a tumultuous journey that forces him to confront the darker facets of human frailty, both physical and moral.