Ovella

The acclaimed film director Esteban Martínez is a legend both for his films and for his past marked by violence and excess. For his new project, he offers his daughter Emilia a role under the pretext of helping her with her stalled acting career. Living together on set will foster a closeness they haven’t shared for years, but it will also reopen old wounds that never healed.

The harmony of a community is shattered by an allegation of sexual assault on social media that points to three teenagers as the main suspects.

Two unmarried women who have become pregnant by accident and are about to give birth meet in a hospital room: Janis, in her late-thirties, unrepentant and happy; Ana, a teenager, remorseful and frightened.

Ingrid and Martha were close friends in their youth, when they worked together at the same magazine. Ingrid went on to become an autofiction novelist while Martha became a war reporter, and they were separated by the circumstances of life. After years of being out of touch, they meet again in an extreme but strangely sweet situation.

Elsa is an advertising director whose mother dies during a long December holiday. She works non-stop and, without realizing, doesn’t give herself time to mourn her mother’s absence. After a crisis, Elsa decides to travel to the island of Lanzarote accompanied by her friend Patricia, who also needs to get away from the city. The story of these characters runs parallel to that of a screenwriter and film director, exploring how life and fiction are inseparably linked, sometimes painfully so.

Hashim is a young Moroccan who has been arrested by the police. He is part of a group of friends who share life in the neighborhood and also its difficulties. His mother, tired of seeing her son's situation, decides to find him a job in a barbershop. Although Hashim will begin to mature, feeling comfortable in this new stage, a last adventure proposed by his great friend Sebas will force him to decide.