The Sprinkler Sprinkled

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Passers-by on a street market in Marseille.

Two duelists, armed with pistols, open fire: one of them is hit and collapses. First aid is given to him, while the other is taken away.

Francis Doublier does bicycle tricks in the street.

Short clip of a football match, filmed on the Lumière cinematograph, 33 years before FIFA's 1st World Cup.

A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding Baby her lunch, while Mum is serving tea.

Teasing tigers with meat.

On the terrace of a villa, a violinist, two pianists and a singer are playing, until they are interrupted by a false note.

A religious procession during the Holy Week in Seville, Spain.

Comic scenes taken at the Nouveau-Cirque by the two famous clowns Foottit and Chocolat. To separate Foottit and Chocolat who are fighting, their servant brings a policeman to whom the two accomplices play all sorts of tricks.

Continuation of the previous one.” [cf. n ° 27] Panorama of the quays and the city.

Skating scene.

Félicien Trewey swirls a large white ribbon around him.