The Beast in the Jungle

Josephine goes from Brussels to Paris by foot. She follows the direction taken by the Thalys, the rapid train she usually takes for this journey. She stops along the way, depending on people who allow to her rest awhile.

A man finds in a flea market an old photo album. When looking at the images, he begins to invent a narrative where mix descriptions, fantasies and personal memories. Slowly, he skips into the photographer's shoes and tells his story, that of a forgotten love.

“My best friend, Anna, asked me if I would mind taking her fifteen-year-old son Itvan to Berlin with me. I accepted immediately.” An elegant, refined man in his forties sets off with Itvan on a long, enjoyable journey, his Winter Journey. They cross snowbound Germany by car. As the man drives the boy through cities and countryside, Itvan discovers the past and the vast job of reunification now underway. Poetry and culture are also part of the journey, which is accompanied by classical German music. When their paths cross with the man's former lovers or the journey provides unexpected encounters, Itvan also gets to know more about the man's own life. When they finally arrive in Berlin, their ways must part. Itvan watches the man leave, taking the melancholy of his existence with him. However their journey together has created an unbreakable tie between the two men. Itvan will never be the same again.

The film-maker goes back to Bologna where he did a stay twenty years earlier. The ties of a patchy, lacunal and tragic memory begin to interweave the Italy of the “years of lead” and that of Berlusconi.

Fifteen young dancers of various origins and horizons. They are touring Crowd, Gisèle Vienne's dance piece on the 90s rave scene. Following them from theatre to theatre, the film documents their work as well as their strange, intimate relationships. As the line becomes blurry, the stage seems to contaminate real life – unless the opposite is happening. Little by little dance grows into a troubling journey into our nights, our parties, our loves.

Nadia is in her late 30s and begins a serious relationship with a teen named Pierre.

Soft boys by day, kings by night. The film follows a group of young Bulgarian Roma who come to Vienna looking for freedom and a quick buck. They sell their bodies as if that's all they had. What comforts them, so far from home, is the feeling of being together. But the nights are long and unpredictable.

Rudolf, a bookshop salesman, Gabriel, an actor, and Nicolas, a bar waiter, share more than one common point: the three of them are thirty-something, gay and... neurotic! So what a shock when following a sentimental break-up, Rudolf decides to leave Paris (and his two friends at the same time). What he wants is to put order in his life and it seems to him the best thing to do is to move back to the village of his birth, somewhere in the Austrian mountains, far from the chaos of Parisian life. After a moment of panic, Gabriel and Nicolas decide to follow Rudolf to Styria. Little do they know how eventful their trip will be...

After the full-scale invasion of Ukraine, many people in Russia faced a brutal choice: prison, the army – or exile. Margarita, Yuri and their friends are caught in the crosscurrents of history, with no way to return home, but also no place where they feel truly welcome.

A man is dreaming of a city. Unless the city is dreaming of him.

Suddenly, Roman asks himself a first question, followed by a multitude of others that nobody can answer.

Oedipus arrives in Thebes and finds a devastated city, where the young men are devoured by a monstrous beast, the Sphinx. He decides to deliver the inhabitants of this plague installed on the roof of a building.

The story of a man led back to Austria, his home country, by a business trip. The country has become strange to him, more a prison than a refuge, yet it touches on the story of his mother and stirs up forgotten memories.

At the police academy, young recruits start their training willing to serve the population. As trainees and instructors wish to remain anonymous, their faces have been digitally edited. This substitution reveals a hidden truth, a truth about the institution.