We Need Each Other

Timecode is a 2016 Spanish live-action short film directed by Juanjo Giménez. Luna and Diego are the parking lot security guards. Diego does the night shift, and Luna works by day. One day, Luna's boss asks her to investigate a broken tail light. It won the Short Film Palme d'Or award at 69th annual Cannes Film Festival in 2016. It is also nominated for an Academy Award for Best Live Action Short Film at the 89th Academy Awards in 2017.

The 2017 OSCAR® nominated short films, live action: Midenki (Sing), Silent Nights, Timecode, Ennemis Interieurs (Enemies Within), La Femme et le TGV (The Woman and the TGV).

In an amateur soccer match, the referee kicks out the goalkeeper. A very special fan will animate the substitute the rest of the game.

A sound designer has to rethink her whole life when her sight and hearing start to get out of sync.

'The Walker' is Mateo, a civil engineer with a plan: walking each and every one of the streets of New York.

At the bench, the coach and three reserve players, including a sleepy goalkeeper. The game is about to start. Our team needs to win. The coach paces nervously and relays instructions to the players on the field... But the coach's attention to the ongoing game is repeatedly interrupted by family members, from the youngest to the oldest, who come one by one to remember him that a significant family gathering is about to take place and that his presence is needed. The coach is reluctant to leave the field on account of the importance of winning this game. What is this important gathering? Are his priorities proper?

The Incredibles tells the story of three everyday heroes: Broken Wing, The Iron Lady and Radioactive Woman. Three people who endure the adversities of life and who struggle against the most terrible villains: death, lovelessness and loneliness.

The 'enxaneta' is a boy or girl who climbs up the 'castell', a major fiesta un catalonian culture.

Sam is 9 years old. He has just been expelled from school for assaulting a classmate. Martin is 42. He is a luthier. He thinks he has a problem with his son. Sam knows what Martin thinks.

"One of the thematic lines that Juanjo Giménez's cinema has covered is dedicated to football. In addition to Rodilla, his shorts Libre indirecto (1997) and Máxima pena (2005) bring us closer to this world, whose passion is not so much in the big leagues and championships, but in the emotional universe that cinema is for many people."

A collage made of memories, family conversations, songs, found footage, and attempts at other films. While a film student shoots his first shorts on Super 8, he laments not having a single moving image of his parents. “Only the rich make films.”

The owl has not seen the glass.