Dreileben: Don’t Follow Me Around

An ailing police inspector (Stefan Kurt) hunts a dangerous criminal who escaped from custody.

Johannes is a loner who wants a better job. And then he meets Ana. Ana is attractive and even though her job is even less prestigious than Johannes's, he falls for her. And then she quits her job to be with him (and be dependent on him) and suddenly things become much more serious. She has fallen for him. But does he still love her? Did he ever? Enter Sarah. Sarah is the daughter of Johannes's boss. He and she have a past. Will Sarah and what she represents be his future, and Ana just a memory, something he'd like to erase?

The three daughters of the Dessau merchant Sellmann move with their father to Prague in 1936, where he accepted a position as director of the Böhmische Landesbank. For the three different women begins a new life, which accompanies the film over a period of ten years.

A collage of memories, fictional stories, biographies, dreams and missed opportunities, which in their entirety represent the idea of Munich.

Vienna in the eighties. An accidental meeting in a restaurant. She, Hannah, is Jewish and has a live-in lover, a young and successful architect. He, Friedrich, is a German and lives permanently in Vienna. Two worlds collide with another, begin to become entangled in each other. Friedrich too, has his problems. He is a "German", which fascinates and repels Hannah at the same time. She tries to get over her confusion by being ironic and flirtatious. Simultaneously, what she has tried to suppress breaks through in flashbacks...

Der Fahnder is a German television krimi series which was aired between 1984 and 2005. In the Netherlands the series was broadcast by the VARA from 3 October 1985.

A young woman who works in a bookstore has been terrified by nightmares about having committed suicide in a past lifetime, combined with a sense of déjà vu regarding a specific apartment building. When she meets a young man who works in an optical company, whether she knows it or not, she is that much closer to the truth about her visions.

Im Angesicht des Verbrechens is a German television series about the Russian mafia in Berlin. It received high critical acclaim, but the viewer figures were disappointing. It was broadcast by ARTE and Das Erste.

The adventures of a group of German truckers on jobs all over the world.

In 1930s Berlin, Dr. Jakob Fabian, who works by day in advertising for a cigarette company and by night wanders the streets of the city, falls in love with an actress. As her career begins to blossom, prospects for his future begin to wane.

Two bank robbers hold the clerks hostage and demand 3 million German marks as ransom. What the police do not realize is that the true criminal mastermind watches them from outside the bank, anticipating every move.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

A documentary about German cinema from 1960 to 1990. It follows "Verfluchte Liebe deutscher Film."

Johannes, a doctor of physics, travels with his doctoral supervisor to a scientific congress in the Alps. A series of mysterious incidents occur on site. He meets Karin, a mysterious jazz pianist who seems to know more about him than she can know. Suddenly, mysterious deaths begin to pile up and Johannes tries to uncover the secret under the mountain.

Vera Kemp, heiress of an industrial enterprise, lives in an apparently perfect world. While she doesn't care for big business, her husband Manfred runs the company. However, she learns about his affair with a younger woman and tries to save her marriage. During a vacation in Italy, Manfred and their son Max die in a road accident. Vera nearly despairs of her grief and, even worse, recognizes that her whole life has been a lie. Andreas Wolgast, a former employee, is the only one who supports her fight for the company and against her caballing family...