Dohai Doyal

Ranju is a melancholic character. He resides in an old house with his elderly parents in a small town. It is as if the past memories of his ancestors lodged in his body. It is as if he were reincarnated. He finds it particularly difficult to sleep on rainy nights. On rainy nights memories of past lives awakes - his boyhood, his national past; his vision gets distorted, he couldn't help leaving the house. He seeks to escape from this troubled, hectic, suffocating modern world. He seeks peace on the paths, past memory ladened old walls, on the face of common people of this land, ancient trees. This journey is to absolve his burdened parents, to emancipate himself. It is a journey into the void.

Gittu, an introverted milkman, regularly goes to an abandoned local temple to smoke cigarettes after performing his duty of delivering milk from door to door. While smoking cigarettes in solitude, he gets to know the secret of the temple.

a boy, a horseman, and a suicidal girl are in motion except the trees.

First film school practice film on a tour in bandarban. Exploring the ethnic peoples and their lives from the point of view of a traveler and he wonders about anything.

an old man and a little child in the same room in the afternoon, both sleeping. Old man experiences dreams about the truth of long lived life and when he wakes up he finds the baby still sleeping.

It was experimentation on a particular topic and that was "whatever I see out of my window". a spiritually associated montage.

The story of a child who explores and discovers an outside-world by riding a magical white horse through various places and tribes with many odds and challenges.