Tout pour l'oseille

A Mediterranean scrubland. The relentless noise of crickets. In the distance a highway and the procession of lorries travelling through the countryside at top speed. Among the green oaks and thorn bushes the construction of a leisure Centre is nearing completion. On the other side, from the building workers' prefabs can be heard the happy chaos of children shouting, families getting together and Ramadan celebrations. Moving incessantly between the two, are Fabienne, daughter of the manageress of the Centre, and Latifa, daughter of one of the workers. Fabienne and Latifa are friends, they tell each other everything, or almost... When you are 16 there are secrets that you don't share, even with your best friend. Then, there are questions which one would love to be able to answer and mysteries one would love to understand... The Centre's opening day approaches. It is the day of Fabienne's 16th birthday. But why do her mother Anne and her uncle Tom seem to be so fearful of that day?

The pragmatic, reserved and refined Maigret investigates murders in his singular unhurried manner and inevitably discovers the truth.

Biquefarre is a small farm in Aveyron. The changing economics of farming lead Raoul, in late middle age, to decide to sell and move to Toulouse. At least two neighboring farmers want to buy Biquefarre: Lucien and the young Marcel. Behind the scenes, Henri, whose brother is Marcel's father and who is also Lucien's brother-in-law, negotiates with Raoul so that Marcel's father can secretly sweeten Marcel's offer. Will dad and uncle succeed? In the background is the hard daily work of farming: milking cows, harvesting at night, and finding help when a farmer falls ill. Progress brings challenges: polluted water, factory farms, and skyrocketing land prices.

They are in their thirties. They have now children, an appartment, a work, cars... and still have loves, dreams and passions. They will meet each other, leave each other, under the eye of their kids.

Far from Standardised visual recording, Akerman and her accomplice, the cellist Sonia Wieder-Atherton allows us to discover a fine moment of contemporary music.

Daniel lives with his grandmother and, after a year of high school, goes to live with his mother in the south of France; a harsher environment which rapidly changes his perception of friends, work, and women.

A death in the family. Patrick dies and his three sisters gather at their parents' home in Normandy. Anne, the oldest, is steady, married with two children, showing little emotion. Isabelle, who's cut herself off from her family for eight years, returns from Paris. Claude, Patrick's twin and still a student, grieves for her other half. Along with their parents, each must face family grievances first before they can grieve together for Patrick. Then comes the revelation of how he died, and new feelings come to the fore. Can a death help a family to heal, coax an aging mother back to sanity, bring a couple into each other's arms, and enable two sisters to grow?

In a routine look at what it means to finally leave adolescence behind — even in one’s mature years — this series of mood swings and sequences focuses on two grown men. Francois (Jean Francois Stevenin, the director) and Leo (Yves Alonso) are old friends, and at one point they decide to go out and search for one of their childhood buddies, the brunt of several of their practical jokes. In true form, the men opt for playing yet another practical joke on their friend, but their plans backfire when his wife Helene (Carole Bouquet) comes into the picture instead. Her presence forces them to reconsider their shenanigans in a new light.

On 9 January 1836, Pierre Lacenaire goes to the guillotine, a murderer and a thief. He gives Allard, a police inspector, his life story, written while awaiting execution. He also asks Allard to care for Hermine, a lass to whom he has been guardian for more than ten years. In flashbacks, from the prison as Lacenaire writes, from Allard's study as he and Hermine read, and from other readers' memory after the book is published, we see Lacenaire's childhood as he stands up to bullies, including priests, his youthful thieving, his first murder, his brief army career, his seduction of a princess, and his affair with Avril, a young man who dies beside him.

Fred Bonnemaison, a driven and self-centered Parisian food writer has to return to his home town, Lyon, when his mother, a lively octogenarian, runs away to join a community of free-thinking widows.

The Cordier fight in family against the crime: the father is police captain, the son, investigating judge and the girl, a journalist.

A man looks for a job, ignoring the selection process of employees. Part of "Contes modernes: A propos du travail."

Crossed portraits of three women each living in the aftermath of the events of May 1968.

The film tells the story of Françoise Frémont, who travels across Europe on an apparently random killing spree, bumping off a series of increasingly odious men. From Swinging London to the eternal city of Rome, she leave a trail of dead bodies and the question: why? A mystery film as only Jean Louis van Belle could make it, The Lady Kills is a blast from start to finish with an amazing soundtrack of gloriously groovy psych-rock.