Aqui Tem Gente

Lesbian couple Teresa and Lena made national news in Portugal when they applied to get married. Leonor Areal's camera follows them, one amid scores of reporters' cameras, as they deal with the denial of their petition, and, more significantly, with the negative fallout the publicity generates. Though seeking equal rights, in the process of being recognizable public figures, the two women and their daughters instead find themselves facing even greater discrimination in housing, work, and school.

The autobiographical texts and letters by film director Manuel Guimarães, and exchanged by him with friends, are the axis for the intimate narrative of his life, social concerns, passion for movies - while revisiting many movies of the 20th century and his complete filmography. One segment documents the epic way directors attempted to bypass official censorship to show their movies out of the country.

He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?

In her visual essay, Leonor Areal invites the viewer to look in detail at a centenary film and at the dozens of people who appear after a concert, most of them men, in full suits and hats, many with mustaches. Among them, the poet Fernando Pessoa is sought.