Iwianch, the Devil Deer

A well-known filmmaker follows a famous mountain climber to Nepal, documenting the journey. Conversations about their lives lead to philosophical reflections, as the mountain challenges their motives. As days go by, the higher altitude and the depletion of oxygen will raise their debate to interior and transcendental territories, putting at stake their trajectories and their egos when facing the mountain and its millenary depth.

Mr. Hummingbird it’s a free spirit trapped in social standards, capitalist system, and the ambivalence of his own mind. The short film tells the story of his courageous attempt to escape.

Filmmaker José Cardoso’s deeply personal Flowers is an exercise in sense-making, led by both his conscious and unconscious mind. Navigating the barrage of online news images produced each day, he transforms these into an unexpected web of connections that link an Amazonian community threatened with the destruction of their land to an extreme right-wing Brazilian President who justifies the exploitation of the Amazon by the rising price of resources precipitated by the war in Ukraine. Meanwhile, Buddhist monk Thích Nhất Hạnh teaches us to make our enemy the object of our compassion, and the filmmaker’s three-year-old son marvels at the frogs and flowers growing in the garden.

At a moment of great lucidity, or delirium maybe, Pancho has a sort of epiphany and affirms that he is being part of a movie.

A musical illustration of nomadism, change, and human adaptation.

In 1960s South Africa, a close-knit community from Die Vlakte was forcibly and violently uprooted to make way for the Stellenbosch University as part of the Apartheid regime’s segregation measures. José Cardoso’s What the Soil Remembers recounts the traumatic effect displacement had on residents by bringing to the foreground a university that is still grappling with its racist legacy. To this day, the Die Vlakte community is fighting for justice and seeking reparations with little to no tangible solutions.

The lifelong relationship between Sebastián Cordero, a Latin American filmmaker, and his nanny Rosa, a woman who dedicated her entire life to someone else’s family. While Rosa has very little archive of her own life, she becomes the narrator of the director’s family history and its unexpected twists. This is, and isn’t, her story.