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Dirty Laundry speculates upon the buried narratives of gender and sexuality in Chinese-Canadian history of the 19th century, when Chinese communities were almost exclusively male. A story about a chance late-night encounter between a steward and a passenger on a train interweaves with documentary interviews with historians and writers and historical documents brought to life. The tape poses nagging questions about the personal and political stakes in the writing of history and in our interpretations of the past.

Two young men engage in sexual acts in an enchanted forest lit by disco lights, while nuns and teddy bears voyeuristically look on with delight.

Circumcision and artistic freedom concern three homosexuals, denied communication during a surreal jail stay.

In Keep Moving, three men work to make ends meet and to understand how they have arrived where they are. Two are single fathers coping with parental responsibilities. Frank is a founding member of Act Up, who dedicated himself to the organization over the years, and who has paid a price in the course of his commitment. Bob juggles businesses, trying to make a new start, while Mike wrestles with a past that encompasses family tragedy, alcoholism and drug addiction. Keep Moving considers how these men understand their histories while pressing forward, and how they received and pass on fundamental values.

Ostensibly embarking upon a portrait of a "modern-day Abraham Lincoln", Escaping History traces the development of a relationship between the videomaker and his subject. As the story unfolds, it veers from the objective to the highly personal. The tape relates the story of Mel Glasser, a recovering schizophrenic who, having adopted the persona of Abraham Lincoln, has made considerable progress in the last twenty years. The tape refuses to romanticize Mel's condition; he speaks frankly with intelligence and humour, and takes Applegath on a special journey.

In the heat and desolation of Santa Fe, California, three people are connected and disconnected by proximity, nature and circumstances. Dwight is a New Age DJ. Ramon is an experimental composer and filmmaker. Ash displays numerous tattoos. Each elaborates on central and sometimes disturbing chapters of their lives. The tape culminates with Ramon's harrowing account of a friend's downward spiral.

A video designed to challenge existing models of AIDS treatment in our society. Using a collage of elements as well as techniques from video and performance, the themes of mourning, urgency and healing are explored in a poetic and highly charged video. Got Away in the Dying Moments suggests natural alternatives to the current treatments and attitudes that constrain our hearts and minds with respect to the AIDS crisis.

In Caribou in the Archive, rustic VHS home video of a Cree woman hunting caribou in the 1990s is combined with NFB archival film footage of northern Manitoba from the 1950s. In this experimental film, the difference between homemade video and official historical record is considered. Northern Indigenous women hunting is at the heart of this personal found footage film in which the filmmaker describes the enigmatic events that led to saving an important piece of family history from being lost forever.

The entire span of every era of the much beloved and legendary Tuxedomoon - from their early beginnings in San Francisco through their many years in Europe. Impressionistically filmed in both grainy black & white and psychedelic color, by group co-founder Steven Brown. Fits together like a perfect 25-year dream.

An unhappy, silent man journeys through a constantly shifting mediascape in search of something we never discover. Transylvanian moonscapes, Baroque parties and fraternity joyrides constitute just a fragment of his dizzying journey. Is this unnamed character searching for a way in, or a way out of the shifting and overwhelming history which whirls about him?

Reflecting on the premature death of a young dancer and artist, Heaven or Montréal points to unfinished ideas, creating "outlines" of lost energy and imagination. As a finale, it summons all its desperation and asks for silence to speak and stillness to dance. Ian Middleton, its co-author, died in 1993 of AIDS related causes.