Rinkaku

A fast food restaurant manager sexually harasses a young girl who works there. He looks like an ugly monster. Enraged, the girl grows super-sized and crushes the manager.

The story begins with a parody of a familiar folklore about a rabbit and an earthworm chasing after each other, but the warm atmosphere changes completely to a succession of surreal images, and the story dismantles.

Abstract horror short about a girl's face.

A woman strives to engineer a dream-food that can put a stop to the famine that has lain waste to a dystopian, near future Tokyo.

An animated film based on one of the renku (collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names in animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuriy Norshteyn's, though, is nearly two minutes long).

In a certain fishing village, a memorial service is held to burn abandoned boats, and old fishing boats that have finished their duty have a dream on the verge of death. Deep-sea fish galloping through the alleys, fishermen pulling long ropes, ghosts of screaming girls...

Haruko, a girl with psychic powers who can communicate with inorganic matter, wakes up one morning to the call of someone, and as she is invited, she arrives at an abandoned apartment building from the 30s of the Showa era, where countless "mononoke" have lived.

One might think that beautiful pictures, a compelling story, and brilliant movement are the three essential elements of a good animated film. The word "anima" from which animation is derived, as we all know, means "to breathe life into". And "life" means "limited time" and that there could be an approach that does not include any of the aforementioned "three elements". The result of several years of exploring new methods was an "animated film" that eschews the so-called "animated" structure. This film aims to visualize "shifting consciousness" through a method of filming in which approximately 5,000 pencil drawings are constantly overlapped"

A work produced with the theme of the number "4" as an event for the 4th Into Animation, an independent screening by the Japan Animation Association.

One morning, Papa transforms into a giant insect in the futon, emerges instantly in front of the astonished family, breaks through the window and flies into the sky. Short animation by Keita Kurosaka for MTV Japan.

A flash of light splits the darkness, revealing a mysterious image. The images are rapidly replaced with sharp noise that combines wave-like repetitiveness and explosiveness, and the flicker effect that it brings makes the viewer away from reality.

An animated work of pencil drawings produced and provided as a material for the Kanazawa College of Art encouragement research "Study on the possibility of painting-like viewing experience in analog material 8K filmed animation."

Abstract lines drawn with pencils start to move with their own will.

A girl reflects on her memories of her grandfather.

Astonishing, mysterious, eccentric, adorable, melancholic, sensual and delightful - the Volume 2 of the weird and fascinating world of Japanese independent animation which has been flourishing and stronger than ever.