The Man on the Train

In 1928 Dublin, during séances concerning Jonathan Swift, the spirits of his former lovers, Stella and Vanessa, emerge to resume their ancient quarrel.

Pulling no punches in its depiction of soccer legend George Best's slow descent from the heights of his Manchester United career, the man once dubbed the fifth Beatle for his glamorous lifestyle and good looks.

The film is set in Northern Ireland shortly after 1994 cease-fire. Hazel is a Protestant and Malachy a Catholic. Romance between them is threatened by Rohan (leader in militant underground and pal of Malachy's brother Padhar), who wants Malachy to be recruited and fight for the cause and by Hazel's brother Jef, who spies on her meetings.

A physician who helps his clients bring new life into the world is accused of an ethical breach that's also criminal in this independent drama. Dr. Freeman (Colm Feore) is a doctor who runs an upscale fertility clinic in Las Vegas, Nevada. Freeman specializes in helping women who have had trouble getting pregnant conceive, usually through artificial insemination techniques or transplanting donated eggs into his patients. Over the course of several weeks, Freeman inseminates nine women from different walks of life, eight become pregnant and give birth to healthy children, but when the new mothers compare notes, they discover their children bear a striking resemblance to one another...

An alcoholic night watchman in a Dublin hotel redeems himself with the help of a new assistant.

The story of the life and times of Ifrah Ahmed, Somali-Irish campaigner against female genital mutilation and cutting.

An eclectic group of people drawn from all walks of life find themselves under one roof for twenty-eight days with one thing in common, addiction.

In 1714 Peru, a friar is tried by the Spanish Inquisition for questioning God's intentions when five die in the collapse of an Andean rope bridge.

A romance that plays out in the splashy, sensational world of British tabloids.

Irish architect and furniture designer Eileen Gray (1878–1976) was a leading light in the modern design movement. This graceful portrayal of her later life and work in France focuses on the triangle of tension between Gray, her lover Badovici and Le Corbusier.

Gray Matters explores the long, fascinating life and complicated career of architect and designer Eileen Gray, whose uncompromising vision defined and defied the practice of modernism in decoration, design and architecture. Making a reputation with her traditional lacquer work in the first decade of the 20th century, she became a critically acclaimed and sought after designer and decorator in the next before reinventing herself as an architect, a field in which she laboured largely in obscurity. Apart from the accolades that greeted her first building –persistently and perversely credited to her mentor–her pioneering work was done quietly, privately and to her own specifications. But she lived long enough (98) to be re-discovered and acclaimed. Today, with her work commanding extraordinary prices and attention, her legacy, like its creator, remains elusive, contested and compelling.