Still Alive – The Drama on Mount Kenya

Walter Bonatti is THE mountaineering legend, capable of meeting the great challenges of mountaineering: K2, Drus, G4, Matterhorn, to name a few. But the summits reached are not points of arrival, they are intermediate stages which then push him on a journey around the world, in search of himself. His exploration, starting from the vertical walls, then moved towards horizontal paths and was always expressed towards the interior space where our fears and our desires reside. Where the man, sitting alone in front of himself, must decide to surpass himself or to adapt. And Walter never complied with them, he wrote his own rules and followed them all his life, allowing himself no loopholes or shortcuts. He built himself as a mountaineer, as an explorer, as a photojournalist and as a writer, but always and only with the intention of being an uncompromising man with his hands, his muscles, his heart and his head.

In 1959, Cesare Maestri and Toni Egger are said to have been the first to climb the more than 3,000-metre-high granite needle of Cerro Torre. Egger had a fatal accident on the descent and Maestri was unable to prove that they had reached the summit. Reinhold Messner searches for the truth in this documentary.

People experience adventures on mountains all around the world. Personalities, fascinated by the world of the mountains, bring us closer to the freedom many people experience in such breezy hights.

The extraordinary, complex, nuanced, restless, and rebellious personality of Walter Bonatti is recounted in a docufiction that traces the life of the greatest mountaineer of all time, without neglecting his overwhelming love story with movie star Rossana Podestà.

Werner Herzog follows mountaineers Hans Kammerlander and Reinhold Messner during their expedition into climbing the Gasherbrum mountains, which has some of the most difficult peaks to be conquered, and they'll do it without the use of oxygen tanks. Herzog also takes some time to hear about their past experiences with other mountains, their personal tragedies and the reasons why they are so involved with such activity.

Record of the first ascent of Everest made without the use of oxygen equipment, made in May 1978 by Reinhold Messner and Peter Habeler. Could it be done? Would their blood vessels burst? Would they suffer brain damage leading to madness? Nobody was sure. Messner: 'I would never come here for trying Everest with oxygen. That is not a challenge for me.' A fascinating piece of history, well filmed by Leo Dickinson and Eric Jones (above the South Col Messner used a cine camera to continue the filming), featuring Messner and Habeler's thoughts. The film follows the usual sequence from Namche to Base Camp, through the Icefall, to Camps I, II and III. It also shows historical footage of the pioneering Mallory and Shipton expeditions.

A tragic expedition to the Himalayas, told by the great mountaineer Reinhold Messner, who lost his brother there in 1970, swept away by an avalanche during the descent. An epic tale set against a grandiose backdrop.

A meeting of two world famous climbers, one an experienced mountaineer the other a sport climber, and a journalist (Ivan) results in a bet on which of the two is the best climber. Roger (the mountaineering expert) states that Martin (the sport climber) wouldn't survive a day on a 'real' climbing expedition, although he is considered to be the world's best sport climber (having just won an indoor 'world championship,' an event depicted in the opening scene). They plan to climb 'Cerro Torre,' in the Patagonia region of South America, near the Argentinian/Chilean border, one of the world's most difficult mountains, especially considering the extreme weather conditions common to the area.

The plot concerns a yeti who makes a pact with the devil to kidnap the most beautiful girl in the world. This turns out to be the Princess Lissi, who is clearly the Austrian Princess and later Empress Elisabeth of Bavaria, and much of the film is taken up with subplots related to the court and to the romantic relationship between Elisabeth and her husband. The film is thus a comic parody of the Sissi films.

Every evening at 6:45 p.m. sharp, a prominent guest takes a seat on the red sofa—and DAS! provides daily updates on what's hot in the north.

For the first time, Dr. Victor Frankl through the eyes of those closest to him. A defining character of the 20th century, not only a genius, doctor and survivor of Nazi terror and tragedy but a man who lived, believed and loved.