Pucundrìa

Fabrizio is unable to explain his impotence (which occurs only with his girlfriend). One evening he stares in the mirror and, after some hesitation, shaves, sacrificing a thick and characteristic beard goatee, typical of those years. Here begins, with a simple gesture that we could define as 'unconventional', the transformation of Fabrizio. Immediately a vital impulse emerges in Fabrizio that leads him to 'want more' from a life enclosed in watertight compartments and protocol rules. The viewer is an accomplice and faithful travel companion in his process of metamorphosis, who is not asked for a judgment or an opinion, but a simple understanding and vision of history, as it is, without prejudice.

Bobby, the grandparents' dog, guides us on a journey through memories and the hills of Irpinia, the silent guardian of a world made up of ruins, memories, and the scars of time.

Alberto, Francesco, and Mariella live in Carbonia. Their childhoods and youth were filmed on Super 8 and then stored away in an old box. Now, in a cinema, they will watch those images again after many years. Through three intertwining stories, the film explores the evolution of a country that experienced the rapid economic growth of the 1980s, feminist struggles, and the simple yet secure life of the old working class.