Pranchiyettan & The Saint

Anjana, a journalist from Mumbai, arrives at Kozhikode in hopes of reuniting with her biological father who is also a minister. However, she soon finds herself in the middle of a darker conspiracy.

Advocate Mukundan Unni wants to be successful and leaves no stone unturned to achieve growth, prosperity, and respect. But this steadfast nature aided with an ample dose of greed comes with a cost.

Ravishankar and Dennis live on Dennis’s estate in the hills. When Colonel Menon arrives with his daughters, Ravishankar wonders which one of them has been sending him amorous letters. Meanwhile, Dennis is attracted to the enigmatic Abhirami, but what does Abhirami want?

Ayyappan, a police officer, is an upright man who always strives to do the right thing. However, things change when a retired army havildar, Koshy, settles in his village and the two egos clash.

A taxi driver, Rasool and a salesgirl, Anna fall in love with each other. But soon their union is put to question when Anna persuades Rasool to convert to Christianity.

Brokers, Freddy and Nicholas, try various ways to make money to repossess their boat from a businessman. However, they get into trouble when they resort to illegal ways to earn money.

Nanma Niranjavan Sreenivasan is a 1990 Indian Malayalam film, directed by Viji Thampi and produced by Kalliyoor Sasi. The film stars Jayaram, Urvashi, Mukesh and Ranjini in lead roles. The film had musical score by Johnson.

Kunju Lakshmi is the youngest daughter of the aristocratic Kavumpattu family in Peruvannapuram. She is pampered by her brothers and is a little arrogant. The family owns the local college. Sivasankaran comes to the college as a peon to replace the Padmanabhan who fails to give the promised donation to the Kavumpattu family in return for the job. In the meantime a love note that was written for Kunju by a classmate ends up in her book and she accuses Sivasankar of writing her the letter. Kunju gets into a fight with Sivasankaran. Her brothers join the fight and Sivasankaran declares that he will marry Kunju in 15 days.

Neelakanthan squanders away the inheritance left by his father. However, his life turns upside down when his mother reveals a terrible secret on her deathbed that changes the course of his life.

DySP Nanda Kishore is investigating a murder case soon after a death in his family. As he proceeds, he is surprised to see how certain connections emerge that hint the case is linked to his own life as well.

Keshavanunni is a rural theatre owner who takes an active interest in solving various local problems. He is assisted by Thangu, and along the way, he falls in love with Mallika. The arrival of two conmen complicates everything.

Ten interconnected short stories unfolding around a roadside railway café in Kerala, where travelers from diverse backgrounds pass through, their lives briefly intersecting amid themes of migration, relationships and modern struggles.

Vishnu and Arundhathi meet and get married in Mumbai but face problems in finding a house. Now, Vishnu suffers immensely since his family stays in another town.

Kunjoottan, a village simpleton, is not allowed to go out of his house as his overprotective father dreamt of a mishap befalling Kunjoottan. But he escapes with his childhood friend to a city.

Two friends, Balagopalan (Jayaram) and Jayakumar (Jagathy Sreekumar), own a call service called "We Help" to help people with the assistance of lawyer Madhavan Thampi (Madhu). Balu gets a call from Indu R. Nair, who is the daughter of a businessman. Later, Indu asks Balagoapan to be her bodyguard. But when Jayakumar and Balagopalan visit her home, they discover that Indu has been murdered. Officer Thomas Mathew takes charge of the case. Madhavan tries to find her killer to save Balagopalan and Jayakumar, before it is too late.

The sudden implementation of demonetisation rattles the country, and a few black money hoarders in Kerala are trying their best to save their void currencies by hook or crook. Kasaragod-based financier Nithyananda Shenoy also gets embroiled in it, and drawn into the scene are also a few underprivileged folk in Kochi. Dramatic situations surrounding the hotchpotch ensue, as each one tries to set their lives straight.