Peldik

Pictures of Estonian village life in the second half of the 20th century. Against the backdrop of the seasons, people in the countryside are working their farms. Mostly these are old people. Villages are becoming empty and old farmhouses are falling apart.

Among Tooming's filmic works, Endless Day provides perhaps the most eloquent material for investigating the radical renewal of visual and narrative form, as well as the shifting registers of spatio-social portrayals and critiques in Estonian cinema. It was banned in 1971 and ordered to be destroyed. However, the film was retained and restored in the 1990s.

Valmar Adams (1899-1993), writer and literary historian with artistic nature, has played an important part as a mediator of Russian literature and culture while working in the faculty of Russian language and literature at the University of Tartu during 1931-1974. First poems in Russian and German were published already in 1915. However, his hot-bloodedness often caused trouble. Trivimi Velliste, Rein Veidemann and Linnar Priimägi talk to the 87-year-old Adams.

A film about the relationship between real life and art in photography, photo as the capturer and interpreter.

In a short film about his brother, actor and director Jaan Tooming, Peeter Tooming transports him from between theater decorations to nature, a village street, a field, a forest, a waterfall, a rocky seashore. Actor Jaan Tooming recites thoughts from his plays that match his state of mind.

Peeter Tooming's photofilm about the history of photography in Estonia.

A unique film adaptation of Juhan Liiv's poetry, where literary symbols in poetry are connected with film images. The film set the task of conveying Juhan Liiv's poetry, his tenderness and love for his country. True pictorial poetry, born from the synergy of Hando Runnel's screenplay, Peeter Tooming's cinematography, Peep Puks's directing and Lembit Ulfsak's poetry reading.

A magically abstract triportrait of Estonian kannel master Eduard Uibo, dancer Elonna Spriit and folk dance pedagogue Kai Leete.

Animals belong to an urban environment and they will always be here since people need a piece of living nature close to them. House plants are not enough - one needs a living creature. What will become of these animals after purchase? How do pets live next to people?