La Parrala

A mature man habitually pursues young girls, for which he is abandoned by his wife. The devil intervenes, offering both spouses, separately, to regain their youth. The two agree to make up for the lost years, but the devil makes them both join the same gang for a summer. The husband, who now feels comfortable, falls in love with his wife again without recognizing her, just as she will not recognize her ex.

After suffering a family tragedy, Carmen leaves Spain and emigrates to Paris, where she will make new friends among some of the most peculiar characters who inhabit the bohemian neighborhoods of the city. (Partially lost film.)

This Spanish lost film showed various episodes where several Spanish try to achieve their dream about going to Hollywood.

Title changed to "Flamenco" when it was first released in the USA in 1954, this is a program of Spanish songs and dances with the emphasis on "flamenco" or gypsy contributions. The USA version has an English narrative written by Walter Terry, the dance critic of the "New York Herald Tribune" newspaper. Heading the cast are Antonio (I), Pilar Lopez and Maria Luz, three of Spain's foremost dancers of the time, accompanied by members of the Ballet Espanol. Filmed in Cinefotocolor in which orange and blue dominated, a combination that should appeal to the fans of Auburn University athletic teams. Distributed in the USA by Martin J. Lewis.

A miller falls in love with the wife of a magistrate who, in turn, courts the miller's wife. (Lost film.)

The Spanish-language version of 1930's The Big House.

Life events around a city street and its residents are told along the years while time goes by, wars break out and end and life evolves.

In Madrid, Spain, at the end of the 19th century, the young and reckless Basilio seems to be the only person who perceives the spectral presence of Professor Robinsón de Mantua, who begs him to take care of his niece Inés, because she is in grave danger.

Madrid, late 19th century. A wealthy woman is found murdered in her home and her maid seems to be the main suspect; but her statement further entangles the case.

José de Salamanca was arguably one of the most influential figures of the Spanish 1800s. This films tells his story.

After her husband's sudden death, a young widow leaves her small town to start anew in the big city. On the train, she meets a fortune teller who will fill her in about the life she could've led had she never met her late husband.

War propaganda directed by Edgar Neville about the Madrid Front.

Barcelona, 1860. Mr. Esteve, owner of a haberdashery and proud of his son, attends the christening of his grandson who, years later, determined to become a renowned artist, seems unwilling to continue the tradition and take over the family business. (Only badly preserved and severely mutilated copies of this film survive, just 69 out of a total of 108 minutes.)