Farts of Fury

Three Estonian and German couples explore polyamory, confronting ego, desire, and insecurity while redefining love. Guided by mentors, psychologists, shamans, and dancers, they navigate years of sexual freedom and emotional struggle under filmmaker Eva Kübar’s patient lens. After a decade together, Riita and Taavi open their relationship and join a camp where unconventional practices test their limits. Marianne and Sven attempt to save their marriage for their children, though Marianne’s bond with her lover Kay complicates her promise to stay faithful. For Kay’s wife Beate, Marianne’s presence becomes both a threat and an opportunity for growth.

The boys of Wikman is a 1994-year drama serial about the Wikman Private Gymnasium students from 1937 till their mobilization in 1944. The series is based on a 1988 novel Wikmani poisid by Jaan Kross.

When actor Jan Uuspõld has to film a promotional video for his summer fling Brita’s beauty salon, his wife calls him and lays down the law: he must come home and earn back all the money he has squandered. Since Jan always does what women want, he begins searching for a way out of the tricky situation. The solution seems to be participating in a remake of a film about his life. Unfortunately, the director decides to sideline Jan due to his poor public reputation. Left with no other choice, Jan embarks on a summer tour starring himself. But, as always, life happens when you have the best intentions. On his long journey home, Jan encounters a sex guru, men’s rights activists, manic fans, and even the Creator himself. He is both humbled and exalted, leading him to discover something within himself that he never knew was there.

A music critic Hugo, suffering from post-divorce depression, is just about to rebuild his life when his jazz musician father Raivo arrives at his door unexpectedly. Spiteful old man announces that he will soon come to his end and expects his only son to take care of him. When an attractive psychotherapist enters the men’s lives, the father and son duo begin to compete for her attention. The old prankster manages to create a number of embarrassing moments in an effort to ruin Hugo’s romantic plans. Andres Maimik’s and Katrin Maimik’s tragicomedy is an exploration of forced closeness, a pursuit of happiness and a road to forgiving through laughter, suspense and tears.

An exploration of the growing friendship between small-town girl Laura, who is persuaded onto a hiking trip by her friend Merit, and Joosep, a middle-aged guide.

Politician Aadu Kägu goes to the mushroom forest with his wife Viivi to rest his nerves from the reputation campaign. They are joined by a voter, penniless rock star Zäk. In order to avoid common mushroom forests, they drive to some countryside at random. Soon the trio discovers that they are lost, at the same time a media scandal breaks out - the investigative press suspects that Kägu has misused state money. The fight for honor, life and death begins, both in the forest and in the city.

Is everything in life a matter of how you sell yourself? Can Evelin's motto "manipulate and be manipulated" lead everyone to happiness? And does the church really sell God?

A postman endeavors to fly to the moon in one breath so he can deliver a package.

A young man tries to make sense of the world in the summer heat of late nineties Estonia.

Aurora, the daughter of a religious leader, enters into a secret affair that changes her life. She tries to please everyone but when it's time for a lavish wedding anniversary celebration, an uninvited guest arrives.

Jan Uuspõld is a talented actor who is not up to scratch due to his problems with alcohol. He makes up his mind to stop taking clownish roles and accepts a serious part in a play at Vanemuise theatre instead. His journey from Tallinn to Tartu becomes an unusual and in a way exaggerated voyage depicting the life and mentality of contemporary Estonia through various human natures, attitudes and ways of thinking.

After getting fired from an advertising agency, the project manager Rain tries to make a new company. He tried to convince Andres, a film director to join in hopes of getting a feature film contract. Everything goes smoothly until the lies surface.

The film portrays five different Estonian female politicians: Minister of Culture Signe Kivi, businesswoman Terje Aru, former Miss Estonia Kristiina Heinmets, strike movement leader Kadi Pärnits, and the grand old lady of Estonian women's politics, Marju Lauristin. All of them have been in the media spotlight, and many have fallen victim to it due to their openness. How can a woman assert herself in a post-communist society? What opportunities do women have to succeed in politics within a traditionally patriarchal system? Through the actions of these five protagonists, the hidden world of Estonian politics unfolds—both in its glamour and its horror.

The children's world includes as much brutality as the world of adults. Filmmakers Andres Maimik and Jaak Kilmi study the cases of the following kids: Kätlin, Märt, Marek and Indrek. All of them have experienced more violence in their own way than most of the kids of their age. The film brings the viewer to a sad journey to the hidden and traumatic zone in society. The filmmakers try to talk to the children, parents and teachers about the subjects that are often referred to only in abstract ways.

Scandalous TV journalists Rain Tolk and Ken Saan of Esto TV disguise as nationalists and infiltrate the conservative party Res Publica to expose xenophobia, racism and intolerance.

The documentary observes two matriarchs - Tiina Jantson governs the beauty contest empire in Estonia; Anne Eenpanu leads the activities of "Home Daughters" - a girls' corps of Estonian Defence League. The film's main characters and their activities are very different. Whereas Anne's pedagogical approach is almost totally based on the love for fatherland then Tiina spends her days in the glitter of show business. However, there are some similiarities in their lives. The documentary studies the values, gender roles and moral norms in Estonia at the beginning of 21st century.