Ariadne auf Naxos - Zurich

Met performances of Strauss’s white-hot one-act tragedy, which receives its first new production at the company in 20 years. Claus Guth, one of Europe’s leading opera directors, gives the biblical story—already filtered through the beautiful and strange imagination of Oscar Wilde’s play—a psychologically perceptive Victorian-era setting rich in symbolism and subtle shades of darkness and light.

This release contains the celebrated 2006 production of Mozart's Nozze di Figaro that was directed for the stage by Claus Guth at that year's Salzburg Festival. Ildebrando D'Arcangelo takes the title role, and gets support from Anna Netrebko as Sussanna, Bo Skovhus as Il Conte Di Almaviva, and Dorothea Roschmann as La Contessa. Nikolaus Harnoncourt conducts the orchestra.

The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.

German director Claus Guth´s Mozart-Da Ponte trilogy was concluded at the 2009 Salzburg Festival with Cosí fan tutte featuring a starry cast including Miah Persson, Bo Skovhus, Isabel Leonard as well as Patricia Petibon. Adam Fischer conducts the Vienna Philharmonics. Those familiar with Claus Guth´s previous work such as the psychoanalytic Nozze di Figaro, the Don Giovanni set amongst junkies in a wood in the middle of the night, the Ariadne who commits suicide on Naxos, Richard Wagners Tristan in love with Mathilde Wesendonck and a Walküre set in a miniature dolls house will know better than to expect a bubbly Mozartian comedy.

No one better described the half-starved, struggling artists than Murger in his Scènes de la Vie de Bohème: artists ready to burn a manuscript to try to keep warm yet,in an era of triumphant bourgeois materialism, dreaming of another existence. Taking up these scenes of Bohemian life, Puccini offers us a heart-breaking love story and some of the most beautiful music in the history of opera in the story of the poet Rodolfo and fragile Mimi. The staging of this new production has been entrusted to Claus Guth who sets the drama in a future devoid of hope in which love and art become the sole means of transcendence.

Claus Guth's exciting 2017 staging of Handel’s "Rodelinda" at Madrid’s Teatro Real, featuring Lucy Crowe and Bejun Mehta as Rodelinda and Bertarido, with conductor Ivor Bolton. After the successes of "Giulio Cesare" in 1723 and "Tamerlano" in 1724, Rodelinda completes the trilogy of Handel’s great opera seria masterpieces. The work was composed in 1725 using Nicola Francesco Haym’s libretto, a work inspired by Antonio Salvi’s earlier libretto which had been itself adapted from Pierre Corneille’s tragedy "Pertharite, roi des Lombards". Rodelinda thus brought one of the most glorious compositional periods in the Handel’s career to a close, about a decade after his arrival in the British capital. Mixing romantic storytelling and political intrigue, Handel produced one of his most beautiful scores, a true operatic tour de force.

Titus and Berenice love each other; under the watchful eye of Antiochus, the hopeless lover, they try yet refuse to understand each other. Taking up the “majestic sadness” of these alexandrines, among the greatest verses in the French language, Michael Jarrell amplifies the power of words, making them a vehicle for spaces and identities that, from Rome to Jerusalem, are unceasingly questioned.

The central character of Mozart’s opera Lucio Silla is inspired by the historical figure of Lucius Cornelius Sulla Felix, a dictator and Roman general who ruled during the 1st century BC. In this production at Madrid’s Teatro Real, an intriguing minimalist staging is complemented by Ivor Bolton’s expert music direction, and a talented cast.

To mark the 250th anniversary of Handel's death, Vienna's Theater an der Wien realized a truly extraordinary project: the staging of Messiah, the composer's most popular oratorio. Collaborating with an exquisite cast of singers, Claus Guth, one of today's highly renowned stage directors, delivered 'an emotionally and psychologically charged sequence of images. . . The audience was thrilled' (Suddeutsche Zeitung).

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music.

This is an excellent production of Mozart's 1791 opera about Titus Vespasian, who prefers to be remembered for his clemency, even toward his best friend who instigated a revolt to overthrow him. It was recorded at Glyndebourne on August 3, 2017, in front of an audience, and the orchestra and singers perform the work beautifully

King Mitridate has left his empire in the care of his sons Sifare and Farnace while he is away at war. Deceived by a rumour of his father's death, Farnace declares his love to the King's betrothed, Aspasia. She seeks the protection of Sifare. Mitridate returns with Ismene as a bride for Farnace. When he hears of Farnace’s guilt, he determines to kill him. Will the ensuing intrigue of rivalry - in love and in politics - wind its way to a happy end?

Heart Chamber focuses on the elements of falling in love that expose us to our most intense beauty but also to our most intense vulnerabilities and insecurities. It is a grand opera of the smallest physical and psychic changes that push two strangers towards or away from each other as they embark on a transformative path, the conclusion of which one cannot envision. Two naked souls wrapped in their existential loneliness like a second skin have a chance of a true connection which might outweigh the internal isolation. This chance is equally euphoric and dangerous: so much is at stake. While society frames love as the true course to fulfillment, a love connection can have many unexpected consequences. Some live and die surrounded by their families. However, the Russian woman whose husband took her to the forest and cut her arms off in 2018 surely did not envision this at the beginning of their relationship.