Kokaru dziesmusvētki

The To Be Continued documentary follows lives of five children throughout their first school year. Kārlis's family is firmly rooted in the Latvian countryside. Gleb's grandparents came to Latvia only in the Soviet period. Zane's family are first-generation urban-dwellers. Anastasija's family moved from the city to the countryside. Anete's mum lives and works in England. The film explores how these choices made by adults are reflected in a child's thinking.

A story about Emīlija Benjamiņa, the “queen of the press” in interwar Latvia, whose wealth and tragic fate have since become folklore. The film’s narrative covers the period from the beginnings of Emīlija’s magazine Atpūta (Recreation), to her arrest and slow demise in a train en route to Siberia. The most prominent clairvoyant of the time - Eugene Fink’s prophecy that Emīlija would die from starvation in a foreign land (which served to be true) weaves through the narrative as a red thread. With this strong woman at the centre of the story, the film shows Latvian society in all its richness and gives the audience the opportunity to meet many well-known historical figures.

Self-made banker Boriss Osipovs achieves quick success immediately after the collapse of the USSR, but he flees Latvia to avoid arrest for illegal operations. Fifteen years later, his family receives a photograph from Interpol of an elderly gentleman with the same name who resides in a Malaysian mental asylum. Could it be him? Despite the reservations of her family, Osipovs’ daughter, documentary director Ieva Ozoliņa, starts an investigation to find out the truth about the man in the photograph. An emotional story about a man who loses himself in times of change...and the daughter who hopes to find him.

Žanis Lipke, an ordinary blue-collar worker in Latvia, embarks on a covert operation. Despite his family’s hardship under successive Soviet and German occupations, Lipke tries to save local Jews from Nazi persecution and certain death, moving them from the Riga ghetto to an underground bunker hidden on his property.

Almost 30 years after the collapse of the Soviet Union we can observe the return of rhetoric of a strong person of the totalitarian era. Could this be facilitated by the remains of totalitarian subservience in our heads and minds? The Director of the film Ivo Briedis and journalist Rita Ruduša, both born in the USSR, are going on a journey to explore the phenomenon of “Homo Sovieticus” and to discover whether a human being of the totalitarian mindset has specific geographical boundaries.

Trying to make a professional impression, the teacher of the 9th grade Dārta organises a parents' school meeting, but the parents' childish behaviour turns the gathering into a disaster, becoming the biggest challenge of Dārta's career so far. The new teacher prepares for the meeting, while the parents arrive late - so does the businessman Jānis, the president of the parent's school council Žanete arrives with flowers and a gift; the spouses of an open marriage Valts and Laine playing "truth or dare", while the recently divorced Maija and Raivo exchange barbs. The planning of the children's graduation turns into an absurd escalation of conflicts between the parents.

Edith is a curiosity-driven journalist and single mother. Solo parenting proves to be complicated, but when the identity of the man who donated the sperm that got her pregnant surfaces, she seeks him out under the false pretext of interviewing him about his company.

The film is based on true events, it tells the stories of two outstanding personalities of the 20th century – Sergei Eisenstein and Isaiah Berlin, who were both born and spent their childhood in Riga but soon had to leave the city. The film follows the lives of the two characters during the turbulent first half of the 20th century, telling how one of them becomes “the greatest film director of his generation” in the totalitarian Soviet Union, and the other “the greatest thinker of his generation” in liberal Great Britain.

The 14th of June 1941, Soviet-occupied Latvia. Without warning, the authorities break into the house of Melanie and her husband Alexander, and force them to leave everything behind. Together with more than 15 000 Latvians, Melanie and her son get deported to Siberia. In her fight against cold, famine and cruelty, she only gains new strength through the letters she writes to Alexander, full of hope for a free Latvia and a better tomorrow.

Mareks (32) is a young taxi driver in Riga working hard to provide for his son. He is looking forward to spending the weekend with him when an envelope full of cash is stolen from his taxi. With a debt to repay to his short-tempered boss, Mareks needs to earn the money back fast. He drives to the airport and hotels in the hopes of getting some well-paying customers. However, the competition for clients is fierce. Mareks ignores the established rules and upsets the delicate balance between rival taxi companies. As the morning approaches getting the money seems to be the least of Mareks problems.

As a young Soviet student in 1978, Ieva could not have predicted that a holiday visit to her father, Imants Lesinskis, then working in the Soviet mission at the United Nations in New York City, would irreversibly split her life in two. Entangled in a dark spy game, Ieva is forced to leave her former life behind, never to see her mother or her homeland of Latvia again. Pulling back the curtain on the shady behind-the-scenes world of the Cold War, this film tells a daughter's dramatic story of her double-agent father, exploring their relationship against the backdrop of events which have their roots over four decades ago. In order to find herself and understand the game she was part of, Ieva sets out on a journey to the past, confronting family secrets, lies and betrayal.

Lost in remotest part of Eastern Europe, Sam is a foreigner, searching for his biological father Lagzdins where a minor road accident leads to a chance meeting with a pig-farmer's daughter, who captures him and makes him a forced laborer on the farm.

15 August 1990. Viktor Tsoy, the Soviet Union’s most famous rock star, leader of the band Kino, a symbol of freedom and change, dies in an accident on a Latvian highway. The bus driver who was involved in the tragic accident will bring his body back to Leningrad. A party of mourners – Tsoy’s wife and her new boyfriend, his mistress, his producer, his young son and an obsessed photographer – are part of the trip back. This is going to be a long trip, the perfect occasion for an agonizing unravelling of love, jealousy, ambition, and greed.

Since Latvia regained independence in 1991, only a small number of all those who emigrated during the 1940s returned, though many of them had been waiting for the occupation to end. This is about the first generation of Latvian émigrés - those who came back, and those who chose to stay in the West.

Twins Alba and Livia visit a mirror-themed art exhibit with their eccentric art historian grandfather. There, Alba discovers she can bring paintings to life and accidentally frees Janus, a chaos-bringing god trapped in a mirror of a painting. As Janus warps reality, their grandfather falls under his spell. The girls must journey through art and myth to save him, and the world.