Mussolini's Sister

The Time That Remains

An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.

Omar

The drama, the story of three childhood friends and a young woman who are torn apart in their fight for freedom, is billed as the first fully-financed film to come out of the Palestinian cinema industry.

It Must Be Heaven

Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.

The Taste of Apples Is Red

In the Druze mountain villages between Syria and Israel, Kamel, a respected sheik, must make an impossible decision between family and duty when his estranged brother returns to the Golan Heights after 47 years in exile.

Let It Be Morning

Sami was at his parents’ house back in the village, when peace began to break out. He had gone there with his wife and kid for his brother's wedding . Back in the village people told him, “There’s no place like home,” and asked when he’d be coming back, but deep down Sami knew that he had forgotten. You can’t be away for that long without forgetting something.

Foragers

Foragers interweaves documentary and fiction to report on a searing conflict between the Israel Nature and Parks Authority and Palestinian foragers. Through an elaborate and elegant composition, the film successfully captures the inherited love, resilience and knowledge of these traditions, over an eminently political backdrop.

The world like a jewel in the hand: unlearning imperial plunder ii

This film travels over open books, looted objects and postcards to look for the imperial foundations of the world in which we live. Within this wide landscape the film focuses on the destruction of the Jewish Muslim world that existed in North Africa, making it imaginable and inhabitable again. Narrated in the first person, by an Algerian Jew and a Palestinian Jew, the film refuses imperial histories of those places. Objects held captive in museums and archives outside of the places from where they were looted are only the visible tip of the iceberg of the mass colonial plunder of Africa. The film explores the substantial wealth accumulated through the extraction of raw materials, labour, knowledge and skills, including the “visual wealth” attained by putting people in front of the colonisers’ cameras.

Man with a Movie Camera

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

ABBA: The Movie

A radio DJ in pursuit of an exclusive interview follows ABBA during their mega-successful tour of Australia.