Alimungaw: Filming In A Time Of Uncertainty

In a remote community, a girl named Joy faces a menacing land grabber, Rommel, who violently coerces her grandfather into selling their ancestral land, culminating in a dramatic and harrowing confrontation that threatens their future.

An examination of poverty and violence and the influence it has on two boys who live in a slum.

An indigenous family, one of the last forest people of old, copes with the unusual changes in their environment including the imposing lifestyle and customs of the more sociable tribes on the plains.

A 19th century woman named Salome, whose identity has been shrouded in myth and legend, becomes the center of a cult that has polarized a community. Like a jigsaw puzzle, a town pieces together myth, memory and aspirations to know the woman that has captured everyone’s imagination.

In the aftermath of loss, an orphan girl flees her gloomy fate and is drawn to a mysterious light, leading her to a life reflection and a journey of intertwined destinies.

In Age of Blight, 12 Asian filmmakers capture and imagine life under the pandemic, from the hospital corridors of Marawi to protest rallies in the streets of Bangkok. The film mirrors light amidst the chaos and darkness, life in the face of death. Participating filmmakers are Mervine Aquino (Philippines), Bagane Fiola (Philippines), Daniel Rudi Haryanto (Indonesia), Hassanodden Hashim (Philippines), Gladys Ng (Singapore), Nontawat Numbenchapol (Thailand), Carla Pulido Ocampo (Philippines), Edmund Telmo (Philippines), Mark Lester Valle (Philippines), Ligaya Villablanca (Philippines), Takayuki Yoshida (Japan), and Abdul Zainidi (Brunei). Edited and assembled by John Torres (Philippines).

Amid the endless rice fields of a remote village, 8-year-old Batoy clings to the innocent belief that rice can mend the broken, until the harvest of truth reveals wounds no grain can heal.

In a coastal barrio along the Davao shoreline, two young boys, who are fond of snow and Samurai movies, are challenged to face a world of violence and abuse.

“Budots” has swept the entire nation by storm. But the dance craze that has people move around in uncoordinated, freestyle dance to a weird mix of electronic sound and noises, originated in Davao City in Southern Philippines before it got viral in the Internet and social media. An internet bum and a small group of people in his community started it all.

On each of two flourishing Moro communities separated by a vast river are two brothers who feel a longing that is beyond the grasp of their content and idyll life. In the end, they seek the river to find their own peace.

Panicupan, a barangay in Pikit, North Cotabato, is one of the "Spaces for Peace," where Moro, Lumad, and Christian settlers have joined hands in upholding their harmonious relationship amid the conflict between the government forces and the Moro Islamic Liberation Front.