Good Boy, Blue

Jean, a reclusive housewife who is terrified of the outside world, begins to descend into madness when she suspects that her husband is a serial killer. In her escape, she must decide whose version of reality she chooses to believe.

Indigenous Australian’s holistic and interconnected ways of experiencing wellbeing is brutally disrupted by British colonisation, leading to intergenerational trauma and systemic disadvantage.

When Jasmine, a runaway teen, accepts a lift from a stranger, Mick, an older man searching for reconnection and forgiveness within his own family, she finds herself caught up in a messy situation and very far from home, coming to realise that running away is not always the solution.